Brewster's Millions — John Stuart Mill — John Shaqi
Brewster's Millions
John Stuart Mill · en
Somehow they had come with the expectation of being bored. Curiosity
prompted them to accept, but it did not prevent the subsequent
inevitable lassitude. Socially Monty Brewster had yet to make himself
felt. He and his dinners were something to talk about, but they were
accepted hesitatingly, haltingly. People wondered how he had secured
the cooperation of Mrs. Dan, but then Mrs. Dan always did go in for a
new toy. To her was inevitably attributed whatever success the dinner
achieved. And it was no small measure. Yet there was nothing startling
about the affair. Monty had decided to begin conservatively. He did the
conventional thing, but he did it well. He added a touch or two of
luxury, the faintest aroma of splendor. Pettingill had designed the
curiously wayward table, with its comfortable atmosphere of
companionship, and arranged its decoration of great lavender orchids
and lacy butterfly festoons of white ones touched with yellow. He had
wanted to use dahlias in their many rich shades from pale yellow to
orange and deep red, but Monty held out for orchids. It was the artist,
too, who had found in a rare and happy moment the massive gold
candelabra--ancient things of a more luxurious age--and their
opalescent shades. Against his advice the service, too, was of
gold,--"rank vulgarity," he called it, with its rich meaningless
ornamentation. But here Monty was obdurate. He insisted that he liked
the color and that porcelain had no character. Mrs. Dan only prevented
a quarrel by suggesting that several courses should be served upon
Sèvres.
Pettingill's scheme for lighting the room was particularly happy. For
the benefit of his walls and the four lovely Monets which Monty had
purchased at his instigation, he had designed a ceiling screen of heavy
rich glass in tones of white that grew into yellow and dull green. It
served to conceal the lights in the daytime, and at night the glare of
electricity was immensely softened and made harmonious by passing
through it. It gave a note of quiet to the picture, which caused even
these men and women, who had been here and there and seen many things,
to draw in their breath sharply. Altogether the effect manifestly made
an impression.