Byzantine Churches in Constantinople: Their History and Architecture — John Stuart Mill — John Shaqi
Byzantine Churches in Constantinople: Their History and Architecture
John Stuart Mill · en
_Construction._--Most of the churches of the city are covered with thick
coats of plaster and whitewash, both within and without. Only in a few
cases, where these coatings have fallen away through neglect, or in some
remote corner of a building to which these coatings were never applied,
can the construction and the laying of the brickwork be studied. The
two-storied chapel, known as Bogdan Serai (p. 283), is almost denuded of
plaster, and is therefore of importance in this connection. The bricks
of the wall arches on which its dome rests are laid considerably flatter
than the true radiating line, leaving a triangular piece to be filled in
at the crown. On the other hand, the bricks of the transverse arches
under the dome radiate to the centre.
It has been supposed that the method followed in the wall arches was
employed in order to economise centering, since bricks could gradually
be worked out over the space, each course simply sticking to the one
below. This is undoubtedly the case in some examples. But here centering
could not have been of any service in the wall arches, and the
transverse arches are laid without flattening of the courses, though
that arrangement might have been useful in their case. It is therefore
more probable that the flattening of the courses in the wall arches is
simply a piece of careless workmanship. The pendentives, like all
pendentives that could be examined, were formed of horizontal courses
corbelled out to the circle. The dome, bema, and the barrel vault in the
lower story (p. 285) seem to be laid with true radiating joints. The
springing of the barrel vault is formed of four courses of stone laid
horizontally and cut to the circle, and above them the entire barrel is
of brick. The dome arches of the Sanjakdar Mesjedi (p. 270) are formed
of three distinct rings, not bonded into one another. They radiate to
the true centre, and the pendentives are, as usual, in horizontal
courses. The transverse arches of the outer narthex in S. Saviour in the
Chora are also built with true radiating courses.
The gynecaeum of the side-chapel of the Pammakaristos (p. 153) has never
been plastered, and consequently the laying of the brickwork can be seen
there to advantage. The little stair leading up to the gallery is
covered with a sloping barrel vault built in segments perpendicular to
the slope of the stair and could easily have been built without
centering. The same remark applies to the cross vault at the head of the
stair, which is similarly constructed in 'slices' parallel to each side
(p. 154). The arches of the gynecaeum itself, the vaults, and the two
little domes, seem to have true radiating joints. The ribs of the domes
are formed in the brickwork, and are not structurally separate. In these
last examples, and in all door and window openings, in which the joints
invariably radiate from the centre, a certain amount of centering was
inevitable.