Camilla: A Tale of a Violin: Being the Artist Life of Camilla Urso — John Stuart Mill — John Shaqi
Camilla: A Tale of a Violin: Being the Artist Life of Camilla Urso
John Stuart Mill · en
——“Never had violinist a _pose_ more exact, firmer, and, at
the same time, perfectly easy; never was bow guided with greater
precision, than by this little Urso, whose delivery made all the
mothers smile. Listen, now, to the Air Variee of the celebrated
Beriot; under these fingers, which are yet often busied with
dressing a doll, the instrument gives out a purity and sweetness
of tone, with an expression most remarkable. Every light and
shade is observed, and all the intentions of the composer
faithfully rendered. Here comes more energetic passages, the
feeble child will find strength necessary, and the voice of the
instrument assumes a fullness of tone which one could not look
for in the diminutive violin. Effects of double stopping,
staccato, rapid arpeggios—everything is executed with the same
precision, the same purity, the same grace. Repeatedly
interrupted by applause and acclamations, she was saluted at the
end by salvos of bravos and a shower of bouquets.”
As for the anti-Urso party, they were completely demoralized and had not
a word to say. Camilla was a success, and they gracefully retired from
the field.
CHAPTER III.
THE DAY BEGINS.
The next morning Camilla trotted off to Felix Simon’s just as if nothing
had happened. The Ursos were too sensible to be upset by vanity. The
triumph of their child only caused them to soberly consider what was to
be done next. Camilla must lose no time. The lessons must go on
precisely as before and until matters were properly arranged her life
would be unchanged. She must prepare for more difficult tasks. Having
proved her skill she must now improve it. Greater tests and severer
trials were in store for her. She must go to Paris. She must enter the
Conservatory of Music. But how, and when?
Long and earnestly they talked over the matter and laid their plans as
best they could. M. Urso was a fine flute player. Of course, he could
readily obtain a place in some theatre in Paris. Camilla’s mother was a
charming singer and a good teacher. She could give lessons, and perhaps
sing in some church. Oh! and then there was the organ! Certainly so fine
an organist as M. Urso would soon get a good place with a comfortable
salary. Aunt Caroline must go too. She would keep house and help the
children. None of them had ever been to Paris, but the prospect seemed
brilliant and for Camilla’s sake they ought to go as soon as possible.
Having decided to move they sold all their furniture, collected whatever
was due for music lessons and salaries and prepared for the flitting.