Camilla: A Tale of a Violin: Being the Artist Life of Camilla Urso — John Stuart Mill — John Shaqi
Camilla: A Tale of a Violin: Being the Artist Life of Camilla Urso
John Stuart Mill · en
THE AUTHOR.
BOSTON, September, 1874.
PART I.
CHAPTER I.
BEFORE DAWN.
About thirty miles from the sea, on the River Loire, in France, stands
the quaint, sleepy old town of Nantes. The Erdre and the Sevre, two
smaller streams unite with the Loire just here and the town is spread
out in an irregular fashion over the islands, the little capes between
the rivers, and the hills that stand round about. The old part of the
town is on the hill-side and occupies the two islands called Freydean
and Gloriette, the more modern city has spread over the surrounding
country among the groves of chestnut, and the vineyards that fill every
available spot where the grapes can get a good look at the sun all
through the long sunny days.
The river runs swift and bright through the town and flashes under the
handsome bridges with their long rows of stone arches. In the river are
boats, ships, and steamers, for the good people there spend much of
their time in commerce and in catching and curing the silver-white
pilchards that swim in such great schools in the neighboring sea.
The broad quays that skirt the river are planted with trees, making a
most delightful walk, and near the eastern end of the town one of the
quays ends at what remains of an old chateau or palace. The houses are
mostly of stone, with slated roofs. There are some fine stores in the
Place Royal that are quite as grand as those in Paris. There are also
some old, old churches black with age, dim and vast inside, with
statuary on the outer walls, and splendid gothic towers that seem to
blossom all over with stone flowers as they climb so far up into the sky
above the quaint old town.
Round about the town are gardens and summer houses, pleasant walks and
drives, vineyards, groves and all the things that go to make a charming
rural scene.
In the Place Graslin is a fine theatre and a handsome Town Hall. Of
these buildings more presently when we come to see what happened within
them.
In this old French town in June 1846 there lived a very little girl just
four years old. Her home was on the first floor of a small house on a
narrow street not far from the Place de la Monnaie, an open square that
led into one of the principal streets known as the Rue Voltaire. The
house was built in the usual French fashion with a large arch-way under
the house that led into a court-yard in the centre. The front door
opened into the shady arch-way, and the window balconies were filled
with flowering plants in pots.
Her name was Camilla. Her father Monsieur Salvatore Urso played the
flute in the orchestra at the theatre, or opera house, and on Sundays
played the organ at the Church of the Holy Cross that stood facing a
little square not far from the river.