It was a busy life for Camilla. As the winter advanced her hours of study increased. More practice at home and more difficult lessons at the school. Studies from Rode, Baillot, Fiorillo, Viotti, Kreutzer, Sporha and the great masters of the violin, were taken up in turn. It was designed that she should become acquainted with all the master works of the day. In addition to regular studies in scales, finger exercises and the like, she went through all the works of the masters that she might become familiar with their style and learn to appreciate the best art. There were no trifling songs, no silly pieces designed to show how fast she could scrabble through a great many notes. Nothing of this kind allowed. Solid work, grand concertos, sonatas and solos passed under her hand in review and in an artistic atmosphere, she began to grow to the stature of an artist while only a child. The boys in the class soon laid aside their rude manners and forgot their jealousy in admiration. Massart laughed at them and said: “Fie! Boys! The hen is beating the roosters.” Much truth was hidden in the master’s pleasantry. Camilla was rapidly distancing them all. She was the favorite scholar. She had the advantage of Massart’s private instruction three times a week and exhibited an aptitude for the work that advanced her quickly to the head of the class. This was an honor, for it must be remembered, that these boys had been selected as the cream of all the candidates. Each had displayed marked talent for the violin. Had it been otherwise they would not have been in the Conservatory. All were like Camilla, quite poor. Some were even supported by pensions from their native towns, and nearly all of them afterwards became good players. There was Lacham, Leon Regniér, and Isidor Lotto who afterwards became so famous, and several others. Henri Wieniawski was in the class before Camilla, but at the time was still about the school. They often met and there began a friendship that has continued to this day. Of Massart’s pupils, three, Camilla, Lotto and Wieniawski have become famous the world over and are among the great artists now living. Besides her regular studies Massart advised Camilla to join a quartette in order to perfect herself in reading music at sight. Once a week she spent an hour or two in playing with three others at the Conservatory and in this way heard much fine music and accustomed her young eyes to read the notes quickly and taught her slender fingers to interpret the music at command.