Catherine's coquetries : $b A tale of French country life — John Stuart Mill — John Shaqi
Catherine's coquetries : $b A tale of French country life
John Stuart Mill · en
“He will be killed!” cries some one. “Why should he go to Bruno’s aid
now? The fellow must certainly be dead.”
“Have you not noticed that L’Ours always happens around when Mother
Mathurine’s son is in danger?”
“Yes--how strange it is!”
“And why is it?” asks Rosalie, who is always prying into others’
affairs, being the most inquisitive of women.
“Why? Why? Go and ask _him_. Perhaps he will tell you.”
Meanwhile L’Ours is beating off the infuriated animals, and the panic
gradually subsides. Seizing Bruno with one hand and protecting himself
with the other, he speeds to a neighboring cottage, regardless of the
disorder and confusion that prevail.
The house in question belongs to an eccentric personage, well known
throughout the country for his benevolence. Assistance is never
withheld from the worthy seeker by Monsieur Eugène. Day and night he is
always ready to give advice or succor to the unfortunate, and one can
enter his house without going through the form of knocking. A welcome
is always certain and the latch-string is never within.
Without ceremony, therefore, L’Ours enters the cottage, and advancing
to a couch gently places his burden on the counterpane. A crowd of
curious people has followed and now enters in procession. Bruno’s eyes
and cheeks are ghastly with blood and his lips are set and colorless.
As he lies motionless upon the bed Jean Manant (L’Ours) begins to feel
his hands and limbs with anxious haste.
“Nothing broken here,” he remarks, stroking the unfortunate’s left leg.
“Nor there, nor there,” he continues, probing Bruno’s arms and chest.
Large beads of perspiration stand on his forehead and tears fall from
his eyes like rain.
Monsieur Eugène arrives at this moment.
“What is the matter?” he inquires solicitously.
Jean makes no reply, and Brigitte Martinet and Félicité Mafflu proceed
in discordant concert to relate the adventure. As both speak at
once and each has a different version to tell, Eugène is unable to
understand a word. So calling Catherine, who is lingering near the
door, he says: “Madame Barrau, will you have the kindness to explain
the situation? Come, Brigitte, let Madame speak.”
Catherine comes forward. All are surprised at her lack of emotion. In
a few words she tells Monsieur Eugène all the circumstances: how Bruno
rushed to the child’s rescue, and how Jean bravely fought his way to
Bruno’s prostrate body and carried him here.
“Remarkable!” exclaims Monsieur in cheerful tones. “And now, good
people, do me the favor to wait outside in the yard until we see what
can be done. Too many here will be an inconvenience, but one or two of
you may stay to assist.”