Celtic art in Pagan and Christian times — John Stuart Mill — John Shaqi
Celtic art in Pagan and Christian times
John Stuart Mill · en
The bells used in the Celtic Church seem to have belonged exclusively
to the class of portable bells rung by hand. During the earlier period
of Christianity in Ireland, when the monks lived together in small
isolated communities, bells which were intended to carry sound to a
great distance would be unnecessary, so that the absence of belfries in
connection with the primitive dry-built stone oratories of the sixth
and seventh centuries is easily explained. When, however, at a later
period, the congregations became larger and more widely scattered, the
lofty tower served a useful purpose in greatly increasing the area over
which the sound of the bell could be heard.
[385] Didron’s _Annales Archéologiques_, vol. vi., p. 315.
[386] F. R. Fowke’s _Bayeux Tapestry_, pl. 31.
The commencement of the building of belfries in Ireland coincides
with the introduction of Lombardo-Byzantine architecture into that
country, and the Irish round tower is obviously nothing more than a
local variety of the Italian campanile. The Viking invasions at the
same time gave an additional impetus to the erection of structures
which could be used not only for ecclesiastical purposes, but also
as watch-towers to detect the approach of the enemy, as bell-towers
to alarm the neighbourhood, and as towers of defence to secure the
lives and property of the congregation. The fact that the Irish round
towers are called by the name of _cloiccthec_, or bell-house, in the
ancient annals is sufficient proof they were used as belfries, but it
does not appear to be known whether the bells were rung by swinging
in the hand or fixed to a framework and swung on pivots. At any rate,
no Irish bells of this period (A.D. 800 to 1000) have survived except
the portable hand-bells. If any mechanical appliance was employed for
bell-ringing in the Irish round towers it was probably constructed
by fixing an ordinary hand-bell to a horizontal axle-bar of wood or
iron, working in two bearings, and swung backwards and forwards by
means of a rocking lever with a rope attached to it, as is done in
many village churches at the present day. The large, heavy metal bells
made specially with a view to being fixed in a tower and rung by a
grooved wheel and cord belong to a much later period, after the Norman
Conquest, when the art of making castings in bronze of great size had
been learnt.
The portable bell of the early Celtic Church is merely an ordinary
cattle bell,[387] such as would, no doubt, be common in Pagan times,
adapted to ecclesiastical purposes and slightly modified to suit the
requirements of the monks. It differs hardly at all, except as regards
size, from the common sheep-bell still to be found in many parts of
England. Dr. Joseph Anderson tersely sums up the peculiarities of the
Celtic ecclesiastical bell, as regards its material, manufacture, form,
and size, in his _Scotland in Early Christian Times_ (first series), p.
183, somewhat as follows:—