Celtic art in Pagan and Christian times — John Stuart Mill — John Shaqi
Celtic art in Pagan and Christian times
John Stuart Mill · en
IRELAND
CO. MEATH. Newgrange (Chambered Cairn).
Dowth (Chambered Cairn).
Loughcrew (Chambered Cairn).
King’s Mountain (Chambered Cairn).
CO. LOUTH. Killing Hill, Dundalk (Sepulchral Chamber).
CO. TYRONE. Knockmany (Chambered Cairn).
CO. FERMANAGH. Castle Archdall (Sepulchral Chamber).
CO. DONEGAL. Glencolumbkille (Sepulchral Chamber).
Spiral ornament is as conspicuously absent on the implements and
objects of the Bronze Age in Gaul as in Britain. It is, then, to
Scandinavia that we must look for the origin of the Bronze Age spirals
found in this country.
In the museums at Copenhagen, Stockholm, and Christiania, may be seen
splendid specimens of bronze axes, sword-hilts, and personal ornaments
exhibiting spiral decoration in the greatest perfection. These are
fully illustrated in A. P. Madsen’s monograph on the Bronze Age, in the
works of O. Montelius and J. H. A. Worsaae, and in the _Transactions_
of the various archæological societies in Sweden and Denmark.
[Illustration: Spiral Ornament on Bronze Axe-head from Denmark]
The spirals with which the objects of the Bronze Age in Scandinavia are
decorated are generally arranged with their centres at equal distances
apart, and connected together by =S= or =C-=shaped curves, the former
being the most common.
When spirals are arranged in a single row, the problem of how to
connect the whole together so as to form a continuous running pattern
does not present much difficulty, but if it is required to cover a
large surface with spirals in groups of three or of four, all properly
connected, the solution is not so easy as it appears at first sight.
Both the metalworkers who made the Scandinavian bronze implements, and
the artist who designed the sculptured decoration of the Newgrange
tumulus, seem to have been unable to master the method of arranging the
=S-= and =C-=shaped connections of the spirals in proper order,[73]
so as to be capable of extension in every direction over a surface of
any required size. The difficulty was got over by a most ingenious
artifice, as Mr. George Coffey was the first to point out in his
monograph on “Newgrange, Dowth, and Knowth” in the _Transactions of the
Royal Irish Academy_ (vol. xxx., p. 25).
[73] That is to say, the way of placing the centres of the spirals in
relation to each other, and of determining how many =S-= or =C-=shaped
curves should run to each centre.
[Illustration: Bronze Axe-head with Spiral Ornament from Sweden]