As far as the available evidence goes, glass does not seem to have been used for any other purpose by the Late-Celtic people except the manufacture of personal ornaments, the most important of which were beads for necklaces. Some of the beads from Ireland and Scotland, specimens of which may be seen in the museums at Dublin and Edinburgh, are most artistically fashioned from twisted rods of glass of variegated colour bent into peculiar shapes. They have been obtained from the Irish crannogs at Lagore, Co. Meath, and Lough Ravel. A bracelet of green glass, with a cable-like ornament in white and blue strands surrounding its outer surface, was found a few years ago in the crannog at Hyndford, Co. Lanark. WOODWORK, BONEWORK, AND THE KIMMERIDGE SHALE INDUSTRY Owing to the perishable nature of the material very few examples of carved woodwork of the Late-Celtic period are now in existence. Those which we do possess have been derived from the Glastonbury Marsh Village and from the crannog at Lochlee, Ayrshire. Mr. Arthur Bulleid, F.S.A., has illustrated three specimens in an article on “Some Decorated Woodwork from the Glastonbury Lake Village” in the _Antiquary_ for April, 1895, p. 109. No. 1 was dug up from the peat at a depth of 6 feet 6 inches below the surface, near the south-east edge of the village. It is a rectangular piece of wood dressed smooth all over, 1 foot 7 inches long by 3¾ inches wide by ⅛ inch thick, decorated on one side with a step-pattern shaded after the fashion of chequerwork, with a cross-hatching of diagonal lines. No. 2 is the stave of a small bucket, which, when complete, must have been 7 inches high by 5½ inches in diameter, decorated with a lozenge pattern shaded with parallel straight lines. No. 3 is a portion of a tub 6 inches high by 1 foot in diameter, cut out of a solid piece of ash, and having its exterior surface decorated with flowing lines of extreme beauty, resembling scrolls of foliage converted into geometrical ornament by successive copying. Where the flowing lines diverge, the trumpet-shaped expansions are shaded with diagonal cross-hatching and dots. There is a good model of this tub in the British Museum. The designs on the woodwork from Glastonbury are produced by incising the surface with some fine sharp-pointed tool, and afterwards burnt in by passing a heated piece of metal along the incisions. The specimen from the Lochlee crannog, which is illustrated in Dr. R. Munro’s _Ancient Scottish Lake-Dwellings_ (p. 134), is a piece of ash 5 inches square, ornamented on one side with a triple spiral, and on the other with Late-Celtic flamboyant work. A wooden bowl with a carved handle, found in a bog near Rathconrath, Co. Westmeath, and now in the Museum of the Royal Irish Academy in Dublin, may possibly belong to the same category.