Constantinople, painted by Warwick Goble, described by Alexander Van Millingen — John Stuart Mill — John Shaqi
Constantinople, painted by Warwick Goble, described by Alexander Van Millingen
John Stuart Mill · en
In the course of the third century, Byzantium suffered from the raids of
the Goths, and in commemoration of the defeat inflicted upon the
barbarians by the Emperor Claudius Gothicus at Nissa in 269 A.D., the
graceful Corinthian column of granite, which still rises some 50 feet
high on the slope above the Seraglio Point, was erected, bearing on its
pedestal the inscription, “Fortunæ Reduci ob devictos Gothos” (To
Returning Fortune, on account of the defeated Goths). Finally, here, as
already stated, the struggle between Constantine and Licinius was
decided by the fall of the town into Constantine’s hands, after a
desperate defence. From all this history of the town, one fact was
perfectly clear--the immense strategic value of the place. When
Constantine transformed Byzantium into a new capital and a great bulwark
of his Empire, he only developed the innate capacities of the site to
their natural culmination. Constantinople was Byzantium in flower.
Apart from the advantages offered by its situation, Byzantium had little
to recommend it to Constantine’s regard. It presented neither ample
room, nor a large population, nor convenient and splendid buildings to
favour the rapid growth of a metropolis. Of the tongue of land on which
the town stood, only the portion to the east of the line drawn from the
present Stamboul Custom House, on the Golden Horn, across to the
Seraglio Lighthouse, on the Sea of Marmora, was occupied. In the bay
beside that Custom House lay the harbours of the town, where shipping,
traders, and merchants did mostly congregate. The Acropolis stood on the
rocky hill now enclosed within the Seraglio Grounds, and there several
temples were found, that gods and goddesses might unite with men in the
defence of the citadel. Against the steep side of the Acropolis, facing
the blue expanse of the Sea of Marmora and the hills and mountains of
the Asiatic shore, two theatres were built, while a stadium lay on the
level tract beside the Golden Horn. The huge structure of the
Hippodrome, which Severus had begun, was waiting to be completed, and to
the north of it were the Baths of Zeuxippus and the adjoining public
square which bore the same name. All this did not constitute a rich
dowry for the future capital. But perhaps to the founder of
Constantinople that fact was not a serious objection; the greatness and
splendour of the new city were to be his own creation.