Constantinople, painted by Warwick Goble, described by Alexander Van Millingen — John Stuart Mill — John Shaqi
Constantinople, painted by Warwick Goble, described by Alexander Van Millingen
John Stuart Mill · en
What the feelings of the “oldest inhabitant” of Byzantium were on that
day it is not difficult to imagine. Any regret at the disappearance of
ancient and familiar landmarks would be lost in pride for the honour
which the old place had received, and in admiration of the magnificence
with which it was invested. Moreover, many features of the past had only
been transfigured, so that the new was not altogether strange. The
Hippodrome, which had stood for more than 130 years an unfinished pile,
was now completed; its seats were packed with spectators, and around its
spina, chariots whirled like the wind. The Baths of Zeuxippus kept their
place, but enlarged and beautified. The open space to the north of the
Baths was converted into a square, surrounded by porticoes, and named
Augustaion, after the title Augusta bestowed upon the Emperor’s mother.
On the eastern side of the place stood the Senate-House, with a
colonnade of six noble columns before the entrance. At the north-western
corner of the square was the Milion, whence distances from New Rome were
to be measured. To the north, the church dedicated to Irene proclaimed
the new faith of the Empire, and told of the peace which had enfolded
the Roman world when Constantine became sole Emperor. The ground now
occupied by the Mosque of Sultan Achmed, to the east of the Hippodrome,
was appropriated for the buildings which were to constitute the imperial
palace. The fortifications along the west of the old town had been
removed, but instead rose ramparts which could render greater service to
mankind, and had a wider outlook upon the world. On the territory within
the principal gateway of Byzantium, a forum had been constructed, named
after Constantine, and there stood a porphyry column, surmounted by his
statue watching over the city. The forum, elliptical in shape, was
enclosed by a double tier of porticoes, with entrances on the east and
the west through fine archways of marble. It was the business centre of
the city. Proceeding westwards to the hill now occupied by the Turkish
War Office, one came to buildings that recalled the Capitol of Rome;
while on the hill now crowned by the Mosque of Sultan Mehemet rose the
church dedicated to the Holy Apostles, in and around which the Emperors
of Constantinople were to be laid to rest when, in the language of the
Byzantine Court ceremonies, the Kings of kings summoned them to appear
before Him. Aqueducts and cisterns provided an abundant supply of water
for numerous public baths and fountains, as well as for private use. The
principal streets were lined with porticoes affording shelter from sun
and rain. The sewers ran deep underground. And the waters of a harbour,
one of the greatest needs of the city, on its southern side gleamed in
the bend of the shore of the Sea of Marmora, where the vegetable gardens
of Vlanga Bostan now flourish. It was known, after the superintendent of
the works, as the Harbour of Eleutherius.