Constantinople, painted by Warwick Goble, described by Alexander Van Millingen — John Stuart Mill — John Shaqi
Constantinople, painted by Warwick Goble, described by Alexander Van Millingen
John Stuart Mill · en
sufficient for twenty men and as many horses. Julian swept the palace
clean of such abuses. Furthermore, Julian increased the importance of
the Senate of the city by the embellishment of the Senate-House, by
additional privileges conferred on the members of that body, and by
taking part in the deliberations of the assembly. He also constructed
another harbour on the southern side of the city, placing it in the
hollow ground below the heights on which the Hippodrome stands, and thus
provided for the convenience and safety of ships that found it difficult
to make the Golden Horn from the Sea of Marmora, in the face of the
northern winds that prevail in the Bosporus. The harbour was first known
as the New Harbour and the Harbour of Julian, but, in the sixth century,
it was also named the Harbour of Sophia or the Sophias, in view of
extensive repairs made at the instance of the Empress Sophia, the
consort of Justin II. The basin of the harbour can still be traced in
the configuration of the ground it once occupied, where its memory is
preserved by the present name of the locality--Kadriga Limani, the Port
of the Galley. At the head of the harbour Julian built a portico, a
crescent in shape, and therefore spoken of as the Sigma, from its
resemblance to the curved form of that letter in the Greek alphabet.
Very appropriately the portico became a favourite lounge of the
philosophers in Constantinople, and the scene of their discussions. But
what Julian doubtless considered his richest and most filial gift to the
city of his birth, was the presentation to its public library of his
collection of books.
[Illustration: GOLDEN HORN FROM THE BRITISH HOSPITAL, GALATA]
Valens, the next Emperor concerned with the growth of the city, gave
special attention to the water-supply of Constantinople--always a
serious question owing to the comparative scarcity of water in the
immediate neighbourhood. The picturesque aqueduct which, with its double
tier of arches garlanded with ivy, still transports water across the
valley between the hills surmounted respectively by the Mosque of Sultan
Mehemet and the War Office, was built in this reign. It was an addition
to the system of water-supply provided by Constantine; a system which,
probably, had previously served the town of Byzantium, and which he only
extended and improved. Near the eastern end of the aqueduct a splendid
public fountain was placed. The Cistern of the Prætorian Prefect,
Modestius, now used as a Saddle-Market, near the Mosque of Sultan
Mehemet, belongs to this period; and, as a result of the abundance of
water thus introduced into the city, several public baths were erected.
The Baths or Thermae of Roman Constantinople, we should remember, are
the models of what we style the Turkish bath, and it is a curious fact
that this mode of bathing has been continued as a habit of popular life
only in countries comprised in the eastern division of the Empire.