Constantinople, painted by Warwick Goble, described by Alexander Van Millingen — John Stuart Mill — John Shaqi
Constantinople, painted by Warwick Goble, described by Alexander Van Millingen
John Stuart Mill · en
But while thus occupied with high matters of Church and State,
Theodosius did not forget the embellishment of his capital. On the
contrary, what Theodosius did for that object, and left to his son and
grandson to complete, entitles him to be regarded as the second founder
of Constantinople. Under his auspices, a great forum, named the Forum of
Theodosius and the Forum of Taurus, was constructed on the summit of the
hill now occupied by the Turkish War Office. It was the largest forum in
the city, and there Theodosius erected a hollow column, _columna
chochlis_, similar to the column of Trajan and the column of Marcus
Aurelius at Rome. For better or worse, the desire to emulate Rome was
always an ambition of the young capital. Around the exterior of the
column winded a spiral band of bas-reliefs commemorating the exploits of
the Emperor, while the stairway within led to his statue on the summit.
Up that stairway, the Emperor Murzuphlus was taken to the top of the
column by the Crusaders of the Fourth Crusade after their capture of the
city in 1204, and then barbarously hurled to the ground. Certain
persons, who became wise after the event, then pointed to a figure
represented on the column as falling from a high turret, and read there
the prophecy of this outrage upon humanity. The column was taken down
by Sultan Bajazet II. (1481-1512) to furnish material for the bath he
constructed in the vicinity. So does glory vanish. To the forum was
attached, as usual, a Basilica, the Basilica Theodosiana, 240 feet long
by 140 wide, remarkable for twelve marble columns 25 feet in height. To
the same Emperor is also ascribed a lofty pyramidal structure, in or
beside the forum, surmounted by a movable bronze figure to indicate the
direction of the wind, and appropriately named the Anemodulion. Judging
from the descriptions we have of it, the edifice displayed considerable
artistic taste. Upon it stood, in characteristic forms, the statues of
the twelve winds on the list of ancient meteorologists. There, one could
hear youths blowing trumpets, see laughing Cupids pelting each other
with apples, and admire wreaths of foliage, flowers, and fruit. It
recalls the Temple of the Winds at Athens. Another erection of the time
of Theodosius was the Golden Gate which was subsequently incorporated in
the fortifications built by his grandson and namesake, Theodosius II. It
was originally designed as a triumphal arch to celebrate the victory of
Theodosius I. over Maximus, who had usurped the throne of the western
division of the Empire, and through that archway Theodosius passed
three years later, when he returned to Constantinople in triumph. Like
similar monuments, the Golden Gate consisted of three arches, the
central arch being loftier than its companions, and was decorated with
statues of the Emperor, Victory, the Fortune of the city, and a group of
elephants in bronze. Upon the two fronts of the central arch was a Latin