Some time passed before anyone else arrived, but at last the big door swung slowly open and Peter McNabb, elder and precentor, who was always a good second in the stately and pious race for church, entered, and went silently forward to his place in front of the pulpit. The custom of having a precentor to "raise the tune" instead of a choir and organ was considered extremely old-fashioned by the more juvenile members of the congregation, but the old people held tenaciously to this time-honoured custom, in spite of much agitation for a change. And, indeed, had the young advocates of progress but paused to consider, they must have been forced to confess that Peter McNabb was a much better musical instrument than any that could ever be produced by man. He was the village blacksmith and he put the same energy into his singing on the Sabbath as he did into the mighty swing of his sledge on week days. He knew very little about musical technique; his voice may not have been very highly cultivated; but he had an appreciation of the psalms which only a godly man can have, and a pure, silvery voice which could pour out floods of melody, or soften itself to the most heart-breaking pathos as the words demanded. For, when he sang to the wail of _Martyrdom_, "Lord, from the depths to Thee I cry," he melted many a heart to tears. And sometimes Duncan's musical soul was so stirred that he found himself clutching the seat in a very ecstasy, almost expecting the grey panel behind the minister's saintly head to burst into inconceivable glory of cherubim and seraphim as, with a rapturous shout, the precentor swept the congregation into the glory of the old psalm, "Ye gates lift up your heads on high, Ye doors that last for aye, Be lifted up that so the King Of glory enter may!" To the aged minister behind him, Peter's singing was a pillar of faith. Mr. Cameron had travelled widely in his younger days and had heard grand music in the cathedrals of the old world, magnificent harmonies of trained voices with flute and violin and organ helping to interpret the divine meaning of the old masters. It had all been very grand and he often longed to hear such music again; but he sometimes wondered, as he sat in the shadow of his pulpit desk on a Sabbath morning, why there had been nothing in all its grandeur which tended to settle so unshakably the foundations of one's faith, as did listening to Peter McNabb lead his Glenoro congregation slowly and solemnly in "Oh Lord the God of Hosts, who can To Thee compared be? The Mighty One, the Lord, Whose truth Doth round encompass Thee!"