Eleven Possible Cases — John Stuart Mill — John Shaqi
Eleven Possible Cases
John Stuart Mill · en
"She's good for half a hour yet," Peter whispered, holding the ladder
while I began to climb; "but if I hear her voice stop, I'll give the
signal to be cautious."
I went up softly, pushed my head gently above the level of the sill, and
looked in.
It was a roomy place with a great half-tester bed, hung with curtains,
standing out from the wall on my right. The curtains were of chintz, a
dark background with flaming red poppies sprawling over it; and the
further curtain hid the dressing-table, and the candles upon it and the
jewel-case that I confidently hoped to stand upon it also. A bright
Brussels carpet covered the floor, and the wall-paper, I
remember--though for the life of me I can't tell why--was a pale grey
ground, worked up to imitate watered silk, with sprigs of gilt
honeysuckle upon it.
I looked round and listened for half a minute. The house was still as
death up here--not a sound in the room or in the passages beyond. With a
nod to Peter to hold the ladder firm I lifted one leg over the sill,
then the other, dropped my feet carefully upon the thick carpet and went
quickly round the bed to the dressing-table.
But at the corner, and as soon as ever I saw round the chintz curtain,
my knees gave way, and I put out a hand towards the bed-post.
Before the dressing-table, and in front of the big glass, in which she
could see my white face, was an old lady seated.
She wore a blaze of jewels and a low gown out of which rose the
scraggiest neck and shoulders I have ever looked on. Her hair was thick
with black dye and fastened with a diamond star. The powder between the
two candles showed on her cheek-bones like flour on a miller's coat.
Chin on hand, she was gazing steadily into the mirror before her, and
even in my fright I had time to note that a glass of sherry and a plate
of rice and curry stood at her elbow, among the rouge-pots and
powder-puffs.
While I stood stock still and pretty well scared out of my wits, she
rose, still staring at my image in the glass, folded her hands modestly
over her bosom, and spoke in a deep tragical voice--
"The Prince!"
Then, facing sharply round, she held out her thin arms.
"You have come--at last?"
There wasn't much to say to this except that I had. So I confessed it.
Even with the candles behind her I could see her eyes glowing like a
dog's, and an uglier poor creature this world could scarcely show.
"Is the ladder set against the window?"
"Since you seem to know, ma'am," said I, "it is."
"Ah, Romeo! Your cheeks are ruddy--your poppies are too red."
"Then I'm glad my colour's come back; for, to tell the truth, you did
give me a turn, just at first. You were looking out for me, no
doubt----"
"My Prince!"--She stretched out her arms again, and being pretty well at
my wits' end I let her embrace me. "It has been so long," she said. "Oh,
the weary while! And they ill-treat me here. Where have you been, all
this tedious time?"