About seventy years ago a young man of strong physique and prepossessing appearance arrived at New Orleans. He had come from New York, of which city he was a native, and had brought with him a considerable sum of money, supplemented by a letter of introduction to Judge Favart de Caumartin, who was then at the flood tide of his fame. It would not be fair to call our young man ("our hero" would be the good old phrase) an adventurer, without taking pains to qualify the impression that might be produced. Hepworth Coleman had his own way of looking at life. Fifty years later he would have been a tragedian--probably a famous one, but the conditions were not favorable to awakening histrionic ambition at the time when his character, his tastes, his ambition should have been forming. What he saw that was most fascinating to him had no distinct form; it lay along the south-western horizon, a dreamy, mist-covered something not unlike the confines of romance. Hepworth Coleman was rich, and what was, perhaps, a greater misfortune, he had no living kinsfolk for whom he cared or who cared for him. Practically speaking, he was alone in the world: moreover, he had an imagination. Scott's novels, Byron's poetry, the French romances, and I know not what else of the sort, had been his chief reading. For physical recreation he had turned to fencing and pistol practice. When I add that he was but twenty-two and unmarried, the rest might be guessed, but Coleman was not a young man of the world in the worst sense--he had not turned to evil sources of dissipation. Healthy, vigorous, full of spirit, he nevertheless had sentimental longings as indefinite as they were persistent. Youth is the spring time when "Longen folk to gon on pilgrimages," as old Chaucer words it, and it would be hard to find the young man who has not felt the vaguely outlined yet irresistible desire to wander, to go over the horizon into a strange, new world. Hepworth Coleman, when he was taken with this longing, felt no restraint cast around him. He was absolutely free, had all the means necessary--why should he not go where he pleased? If it seems strange that he should have been attracted to New Orleans rather than to the Old World, we must remember what New Orleans was in 1820. No other city, not even Paris, could at that time compare with it as a center of genuine romance, nor was this romance unmixed with lawlessness of the most picturesque kind. Money poured into it from a hundred sources more or less illegitimate, besides the streams of wealth produced by cotton, sugar, and rice industries. Gambling was indeed a fine art, duelling appeared more a pastime than anything else, and what went on in the gilded halls and melody-filled salles may be imagined, I suppose, though, I do not care to cast a glance that way.