Francis Beaumont: Dramatist: A Portrait, with Some Account of His Circle, Elizabethan and Jacobean,; And of His Association with John Fletcher — John Stuart Mill — John Shaqi
Francis Beaumont: Dramatist: A Portrait, with Some Account of His Circle, Elizabethan and Jacobean,; And of His Association with John Fletcher
John Stuart Mill · en
In the history of culture not only John and Francis, but the Beaumonts
in general are illustrious. In various branches and for generations the
poetic, scholarly, and artistic vein has persisted. John Beaumont's son
and heir, the second Sir John, edited his father's poems, and lived to
write memorial verses on Ben Jonson, and on Edward King, Milton's
"Lycidas"; and another son, Francis, wrote verses. A relative and
namesake of the dramatist's father,--afterwards Master of
Charterhouse,--wrote an Epistle prefixed to Speght's _Chaucer_, 1598;
and still another more distant relative, Dr. Joseph, Master of
Peterhouse, and author of the epic allegory, _Psyche_, was one of the
poetic imitators through whom Spenser's influence was conveyed to
Milton. The Sir George Beaumont of Wordsworth's day to whom reference
has already been made was celebrated by that poet both as artist and
patron of art. And, according to Darley,[14] Lady Mary Wortley Montagu
was of the race and maiden name of our dramatist's mother, Anne
Pierrepoint. From which coincidence one may, if he will, argue poetic
blood on that side of the family, too; or from Grosart's derivation of
Jonathan Edwards from that family, polemic blood, as well.
The three sons of Justice Beaumont of Grace-Dieu were entered on
February 4, 1597, at Broadgates Hall, now Pembroke, which at that time
was one of the most flourishing and fashionable institutions in Oxford.
These young gentlemen-commoners were evidently destined for the pursuit
of the civil and common law, since, as Dyce informs us, their Hall was
then the principal nursery for students of that discipline. But one
cannot readily visualize young Frank, not yet thirteen, or his brother
John, a year or so older, devoting laborious hours to the _Corpus Juris_
in the library over the south aisle of St. Aldate's Church, or to their
Euclid, Strabo, Aristotle, Cicero, Quintilian. We see them, more
probably, slipping across St. Aldate's street to Wolsey's gateway of
Christ Church, and through the, then unfinished, great quadrangle, past
Wolsey's tower in the southeast corner, and, by what then served for the
Broad Walk, to what now are called the Magdalen College School cricket
grounds, and so to some well-moored boat on the flooded meadows by the
Cherwell. And some days, they would have under arm or in pocket a
tattered volume of Ovid, preferably in translation,--Turberville's
_Heroical Epistles_, or Golding's rendering of the _Metamorphoses_,--or
Painter's _Palace of Pleasure_, or Fenton's _Tragical Discourses_ out of
Bandello, dedicated to the sister of Sir Philip Sidney--Sir Philip,
whose daughter young Francis should, one day, revere and celebrate in
noble lines. Or they would have Harington's _Orlando Furioso_ to wonder
upon; or some cheap copy of _Amadis_ or _Palmerin_ to waken laughter.
And, other days, fresh quartos of _Tamburlaine_ and _Edward II_ and
_Dido_, or Kyd's _Spanish Tragedy_ and Lyly's _Gallathea_, or Greene's