Francis Beaumont: Dramatist: A Portrait, with Some Account of His Circle, Elizabethan and Jacobean,; And of His Association with John Fletcher
John Stuart Mill · en
[242] The best editions of _M. T._, since the time of Dyce, are those
of P. A. Daniel, in the _Variorum_ (1904), Glover and Waller, in the
_Cambridge English Classics_ (1905), and A. H. Thorndike, in the
_Belles Lettres_ (1906).
[243] I, 3; II, 2; III, 2; IV, 1; V, 4.
[244] For conjectural sources see Chapter VII, above. The best
editions to-day are the _Variorum_ and Alden's (_Belles Lettres_).
CHAPTER XXVI
THE LAST PLAY
Eleven.--The first quarto of _The Scornful Ladie_, entered S. R., March
19, 1616, assigns the play to Beaumont and Fletcher, and says that it
"was acted with great applause by the Children of Her Maiesties Revels
in the Blacke Fryers." The references in Act V, 3, 4, to the Cleve wars
show that it could not have been written before March 25, 1609. The
sentence, "Marry some cast Cleve captain," is taken by some to indicate
a date as early as the spring of that year, when James I "promised to
send an English force to aid the Protestant party,"[245] and when,
undoubtedly, "cast" captains of the English army were clamouring for
foreign service. In that case, the play was acted before January 4,
1610, for by that date the children of the Queen's Revels had ceased
playing at Blackfriars. Since the plague regulations closed the theatres
between March 9 and December 7, 1609, save for a week in July, these
arguments would fix the performance in the Christmas month, December 7
to January 4, 1610. To this supposition a reference in Act I, 2 to
binding the Apocrypha by itself, lends plausibility, if, as Fleay
thinks, the sentence points to the discussion during 1609-1610
concerning the inclusion of the Apocrypha in the Douay version of the
Bible and its exclusion from the authorized version--both in progress at
the time, and both completed in 1610.[246] But the Apocrypha controversy
was continued long after 1610.