Francis Beaumont: Dramatist: A Portrait, with Some Account of His Circle, Elizabethan and Jacobean,; And of His Association with John Fletcher
John Stuart Mill · en
A later date of composition than January 4, 1610, is, however, indicated
if a line, III, 1, 341, to which attention has not previously been
directed, in which the Elder Loveless says of Abigail, who is acting the
termagant, "tie your she-Otter up, good Lady folly, she stinks worse
than a Bear-baiting," was suggested by the termagant Mrs. Otter and her
husband of the Bear-garden, in Jonson's _Epicoene_, acted between
January 4 and March 10, 1610. And the two sentences in which Cleve is
mentioned, "There will be no more talk of the Cleve wars while this
lasts" (V, 3), and "Marry some _cast Cleve_ captain [so italicized in
the quarto], and sell Bottle-ale" (V, 4), point to a date later than
July 1610, when actual fighting in Cleves-Juliers had barely begun. The
captains are not English soldiers seeking service in a foreign army not
yet mobilized, but Englishmen who have been captains in Cleves, have
seen service, and been 'cast,' any time between July 1610 and the
beginning of 1616, when, according to the quarto, the play had assuredly
been performed. These considerations make it probable that _The Scornful
Ladie_ in its original form was presented first at Whitefriars while the
Queen's Children were acting there, between 1610 and March 1613, or that
it was one of the plays, old or new, presented by the Queen's Children
(reorganized in 1614) when they opened at Rossiter's new Blackfriars in
1615-16.
Since active hostilities in Cleves were temporarily suspended in 1613-14
during the negotiations which led to the treaty of Xanten in November of
the latter year, and since there would not only be much "talk" rather
than fighting at the time, but also many captains 'cast' from their
regiments, the conviction grows that the play was written between 1613
and the end of 1615. If _The Scornful Ladie_ had been written before
March 1613, it would undoubtedly have shared with _The Coxcombe_ and
_Cupid's Revenge_ of the same authors, then in the flush of popularity
at Court, the honour of presentation by the Queen's Revels' Children
during the festivities attending the marriage of the Princess Elizabeth;
for it was always a good acting play, and it has far greater merit than
_Cupid's Revenge_ which the Children performed three times before
royalty in the four months preceding the marriage.