Francis Beaumont: Dramatist: A Portrait, with Some Account of His Circle, Elizabethan and Jacobean,; And of His Association with John Fletcher — John Stuart Mill — John Shaqi
Francis Beaumont: Dramatist: A Portrait, with Some Account of His Circle, Elizabethan and Jacobean,; And of His Association with John Fletcher
John Stuart Mill · en
To the years 1609 and 1610 may be assigned with some show of confidence
Beaumont and Fletcher's first significant romantic dramas _The Coxcombe_
and _Philaster_. The former was acted by the Children of her Majesty's
Revels, I think before July 12, 1610. If at Blackfriars, before January
4, 1610; if at Whitefriars, after January 4. There are grounds for
believing that it was the play upon which Fletcher and Beaumont were
engaged in the country when Beaumont wrote a letter, justly famous,
probably toward the end of 1609, to Ben Jonson; and, since the play was
not well received, that it was one of the unsuccessful comedies which as
Dryden says preceded _Philaster_. _Philaster_ was acted at the Globe and
Blackfriars by the King's Men, for the first time, it would appear,
between December 7, 1609 and July 12, 1610. My reasons in detail for
thus dating both of these dramas are given later. But a word about the
_Letter to Ben Jonson_ may be said here.
[Illustration: THE TEMPLE
From Ralph Agas's Map of London, about 1561]
It was first printed at the end of a play called _The Nice Valour_ in
the folio of 1647. Owing to a careless acceptance of the rubric prefixed
to it by the publishers of that folio, historians have ordinarily dated
its composition at too early a period. The poem itself mentions
"Sutcliffe's wit," referring to three controversial tracts of the Dean
of Exeter, printed in 1606; but Beaumont might jibe at the Dean's
expense for years after 1606. The rubic inscribed a generation after the
death of both our dramatists, and therefore of but secondary importance,
tells us that the _Letter_ was "written, before he [Beaumont] and Master
Fletcher came to London, with two of the precedent comedies, then not
finish'd, which deferr'd their merry meetings at the Mermaid." We know
that the young men had been in London for years before 1606. If the
rubric has any meaning whatever, it is merely that the customary
convivialities at the Mermaid, as described in the _Letter_, had been
interrupted by a visit to the country during which they were finishing
two of the comedies which precede _The Nice Valour_ in the folio; and it
indicates a date not earlier than 1608, for the writing of the letter,
and probably not later than July 1610. For only three of the fifteen
plays which appear in the folio before _The Nice Valour_ could have been
completed during the career of Beaumont as a dramatist, and none of the
three antedates 1608. In two of these Beaumont had no hand: _The
Captaine_, which may have been composed as late as 1611, and _Beggars'
Bush_,[65] which shows the collaboration of Massinger, but Fletcher's
part of which may have been written in 1608. The only one of the
"precedent comedies" in which we may be sure that Beaumont collaborated
is _The Coxcombe_. If, as I believe, it was acted first between December
1609 and July 1610[66] it may well have been written in the country
during the latter half of 1609, while the plague rate was exceptionally