Francis Beaumont: Dramatist: A Portrait, with Some Account of His Circle, Elizabethan and Jacobean,; And of His Association with John Fletcher
John Stuart Mill · en
high in London. Both _Beggars' Bush_ and _The Coxcombe_ abound in rural
scenes; but the latter especially, in scenes that might have been
suggested by Grace-Dieu and its neighborhood.
The rubric prefixed to the _Letter_ by the publishers is of negligible
authority. The 'me' and 'us' of the _Letter_ itself do not necessarily
designate Fletcher as the companion of Beaumont's rustication: they
stand at one time for country-folk; at another for the Mermaid circle,
Jonson, Chapman, Fletcher, probably Shakespeare, Drayton, Cotton, Donne,
Hugh Holland, Tom Coryate, Richard Martin, Selden (of Beaumont's Inner
Temple), and other famous wits and poets; at another for Jonson and
Beaumont alone. The date of the poem must be determined from internal
evidence. It is written with the careless ease of long-standing
intimacy. It is of a genial, jocose, and fairly mature, epistolary
style. It betrays the literary assurance of one whose reputation is
already established. Beaumont is in temporary banishment from London,
for lack of funds--therefore, considerably later than 1606, when he was
presumably well off; for in that year he had just come into a quarter of
his brother, Sir Henry's, private estate. He longs now for the stimulus
of the merry meetings in Bread-street, as one whose wit has been
sharpened by them for a long time past:
Methinks the little wit I had is lost
Since I saw you; for Wit is like a Rest
Held up at Tennis, which men do the best
With the best gamesters; ...
up here in Leicestershire "The Countrey Gentlemen begin to allow My wit
for dry bobs." "In this warm shine" of our hay-making season, soberly
deferring to country knights, listening to hoary family-jests, drinking
water mixed with claret-lees, "I lye and dream of your full Mermaid
Wine":
What things have we seen
Done at the Mermaid! heard words that have been
So nimble, and so full of subtill flame,
As if that every one from whence they came
Had meant to put his whole wit in a jest,
And had resolv'd to live a foole, the rest
Of his dull life. Then, when there hath been thrown
Wit able enough to justifie the Town
For three daies past,--wit that might warrant be
For the whole City to talk foolishly
Till that were cancell'd,--and, when that was gone,
We left an Aire behind us, which alone
Was able to make the two next Companies
Right witty; though but downright fooles, more wise.
When he remembers all this, he "needs must cry," but one thought of Ben
Jonson cheers him: