Hunt, reaped the rewards of his revivification of the heroic couplet. The diffuseness of the diction of the _Story of Rimini_ results in a movement weaker than Dryden's and less buoyant than Chaucer's. Yet the verse is distinguished by a fluency and grace and melody that at times are very pleasing. It had a notable influence on English verse--an influence begun by others but strongly reinforced by Hunt. Further treatment of the influence of Hunt's diction and versification upon Keats and Shelley is reserved for chapters II and III of the present study. ---------------+------------------------------------------------- |Dryden, |_Absalom & Achitophel_, |1682. | +---------------------------------------------- | |Wm. Chamberlayne, | |_Pharronida_, 1689. | + +------------------------------------------- | | |Alexander Pope, | | |_Dunciad_, 1727. | | + +---------------------------------------- | | | |Leigh Hunt,[80] | | | |_Story of Rimini_, 1816. | | | + +------------------------------------- | | | | |John Keats, | | | | |_I stood tiptoe_, 1817. | | | | + +---------------------------------- | | | | | |Keats, | | | | | |_Sleep and Poetry_, 1817. | | | | | + +------------------------------- | | | | | | |Keats, | | | | | | |_Endymion_, 1818. | | | | | | + +---------------------------- | | | | | | | |Keats,[81] | | | | | | | |_Lamia_, 1820. | | | | | | | + +------------------------- | | | | | | | | |Shelley, | | | | | | | | |_Julian & Maddalo_, 1819. ---------------+--+--+--+--+--+--+--+--+------------------------- Run-on Couplets| 4|61| 1| 3|23|47|54|20|45 Run-on Lines |16|71|12|26|41|48|44|35|52 Triplets | 3| 0| 0| 2| 0| 0| 0| 5| 4 Alexandrines | 3| 0| 1| 2| 0| 0| 3|12| 0 ---------------+--+--+--+--+--+--+--+--+--