Loom and spindle : $b or life among the early mill girls with a sketch of "the Lowell offering" and some of its contributors — John Stuart Mill — John Shaqi
Loom and spindle : $b or life among the early mill girls with a sketch of "the Lowell offering" and some of its contributors
John Stuart Mill · en
He was not popular, and the boys were so afraid of him that they would
not go near him willingly, for many of them had known what it was to
have his riding-whip come down on their backs. There is one still
living who remembers how it felt. This old boy remembers that one
Fourth of July Kirk Boott raised the English and American flags over
his house, with the Stars and Stripes _under_ the English colors; he
would not change them at the suggestion of an indignant mob who had
gathered, and they did it for him. Kirk Boott’s house and garden were
located on the spot where the Boott Corporation now stands. The house
was a very fine mansion and stood near the river, and the garden was a
wonder to everybody, fruit and flowers were brought to such perfection.
So he did fulfil his promise after a sort to the former owners of
the land, for he raised fruit on some of it, and the wool he raised,
metaphorically, and pulled (as the song intimated) over the eyes of the
deluded farmers.
The Merrimack Manufacturing Company was incorporated in 1822, a
factory was built, and the first cotton cloth was made in 1823. It
was coarse in texture,--the kind that might be used to “shoot pease
through,”--though it was not sleazy, but thick and firm, something like
thin sail-cloth, and it costs “two and threepence” (thirty-seven and
one-half cents) a yard.
The first calico printing done in Lowell was on the Merrimack
Corporation, and the prints were of very poor texture and color. The
groundwork was madder, and there was a white spot in it for a figure;
it cost about thirty cents a yard. This madder-color was the product of
an extensive cowyard in the vicinity of the print-works, and the prints
were “warranted not to fade.”
I had a gown of this material, and it proved a garb of humiliation,
for the white spots washed out, cloth and all, leaving me covered with
eyelet-holes. This so amused my witty brother that, whenever I wore it,
he accused me of being more “holy than righteous.” Dyers and calico
printers were soon sent for from England, and a long low block on the
Merrimack Corporation was built for their accommodation and called the
“English Row.” When they arrived from the old country they were not
satisfied with the wages, which were not according to the agreement,
and they would not go to work, but left the town with their families
in a large wagon with a band of music. Terms were made with them,
however, and they returned, and established in Lowell the art of calico
printing.
The “Print Works” was a great mystery in its early days. It had its
secrets, and it was said that no stranger was allowed to enter certain
rooms, for fear that the art would be stolen. The first enduring color
in print was an indigo blue. This was the groundwork, and a minute
white spot sprinkled over it made the goods lively and pretty. It
wore like “iron,” and its success was the first step toward the high
standard in the market once held by the “Merrimack Print.”