Marionettes, masks and shadows — John Stuart Mill — John Shaqi
Marionettes, masks and shadows
John Stuart Mill · en
Probably the most popular puppet play in England in those days was one
called “The Old Creation of the world, with the addition of Noah’s
Flood.” The best scene showed “Noah and his family coming out of the ark
with all the animals, two by two, and all the fowls of the air seen in
prospect sitting upon trees; likewise, over the ark is the sun rising in
a glorious manner, moreover, a multitude of angels in a double rank, the
angels ringing bells. Likewise, machines descending from above, double,
with Dives rising out of hell and Lazarus seen in Abraham’s bosom;
besides several dancing gigs, sarabands and country dances, with merry
conceits of Squire Punch and Sir John Spendall.”
This play was given for fifty-two successive nights. Mr. Powell, the
clever but roguish fellow who owned these puppets, once set up his
little theater just outside the colonnades of Covent Garden, opposite
the parish church of St. Paul. He began his plays at the sound of the
church bells, and was successful in diverting so many from the church
services that he was severely reproved by the churchmen. It was this
same clever Powell, who had a very famous puppet called Lady Jane, who
went to Paris every month and came back with a trunk full of gowns of
the latest fashion. These marionette style shows delighted all the
ladies of fashion in London, including the queen.
About 1642, all regular theaters were abolished in England, but
marionette theaters were not included. You can scarcely imagine the good
fortune this meant for them, for they inherited everything that had
belonged to the great theaters, all the music and opera, the dramas, the
tragedies, and the comedies.
When news of this reached Italy and France, many showmen started at once
for England. They knew they could gather pennies on the way from almost
every pocket. The regular price of these puppet plays was but two pence,
but a fine play like _The Gun Powder Plot_ cost eighteen pence. There
were plays about giants and fairies, about Robin Hood and Little John,
about St. George and the dragon, and a hundred other tales.
All the great writers of those days now began to write plays for
marionettes. Beautiful new theaters were built for them. It became the
fashion to go to puppet plays. Ben Jonson says that many great ladies
went every day.
In 1688, Punchinello changed his name to Mr. Punch and he married Judy.
When they had a son and went to housekeeping, then the quarrels began.
You may have had the pleasure of hearing some of them. Punch had a wide
circle of friends and some of them were interested in politics. Many
great Englishmen, like Addison, Steele, Fielding, Milton, and Byron,
were glad to tell him what to say that would help to set the people
thinking. Some of the English puppets disliked cities and were only
happy when they were going up and down the lovely English roads,
traveling among the villages and country people. There you can still
find them.