Marionettes, masks and shadows — John Stuart Mill — John Shaqi
Marionettes, masks and shadows
John Stuart Mill · en
Here are a few familiar poems that may be turned into marionette plays:
_Hiawatha_—Longfellow
_Evangeline_—Longfellow
_Story Telling Ballads_—Olcott
_Lady of the Lake_—Scott
_Lays of Ancient Rome_—Macaulay
Many other stories will, no doubt, occur to you, and many ways of
turning them to your needs.
[Illustration: [Marionettes]]
[Illustration: [Stage]]
CHAPTER IV
Making Your Stage
[Illustration: [Stage]]
A chair, sofa, or table top may have been the first stage on which you
moved about your tin soldiers and paper dolls. Your imagination supplied
the scenery and lighting. A small table turned upside down and placed on
top of another table may have been your next invention. A curtain drawn
about its three sides and your string of Christmas-tree lights gave you
a very satisfactory little theater. As your stagecraft developed, you
may have seen possibilities in a soap box or a dry goods box. By
knocking out one side to make a proscenium opening and painting scenery
on the back of the box or on to cardboards which you slipped in and out,
you had a very real stage. With a proscenium arch made from cardboard
and decorated to suit the play, a little curtain on a rod,
Christmas-tree lights, and your company of small doll actors, you had a
complete theater. It could be placed in a door or an archway, or between
two screens.
[Illustration: [Stage]]
Possibly you were interested in the Burattini. You may have made a booth
somewhat like the illustration and decorated it quite gaily. It had this
advantage. By means of hinges it could be folded together. It was no
trouble to take anywhere, indoors or out, to a friend’s backyard, to
school, to the playground, or even to a picnic.
If your enthusiasm had led you further, you would have been interested
in the drawings of a semi-professional marionette stage which are shown
on the next two pages.
[Illustration: [Stage]]
[Illustration:
CONSTRUCTIONAL DRAWING OF MARIONETTE STAGE--BACK VIEW--WITHOUT
LIGHTING
]
_A_ _Stage floor, 10' × 32"._
_B_ _Bridge for puppeteers, 24" wide, 12" high above stage
floor._
_C_ _Beaverboard facing (10' × 4' 6") in which proscenium arch
(6' × 30") is cut._
_D_ _Backdrop, 7' × 4'._
_E_ _Supporting trestles, 33" high._
_F_ _Bridge ladder._
_G_ _Bridge fence._
_H_ _Iron rod attached to fence for holding S hooks._
_I_ _S hooks for holding marionettes when not in use._
_J_ _Supporting frame for wings and backdrop._
_K_ _Footlight trough._
_L_ _Curtains._
[Illustration:
SIDE VIEW OF MARIONETTE STAGE--WITH LIGHTING
]
_K_ _Footlights._
_M_ _Switchboard._
_N_ _Movable strip (one for each side of stage) of wing lights._