Milly: At Love's Extremes; A Romance of the Southland — John Stuart Mill — John Shaqi
Milly: At Love's Extremes; A Romance of the Southland
John Stuart Mill · en
Moreton found himself in a place whose features at once interested
him. Glancing around the room he saw two low beds, a few plain
split-bottomed chairs, an old queer "bureau," or chest of drawers,
with glass knobs, some rude shelves with ironstone dishes on them, a
long flint-lock rifle, hanging in buck-horn forks over the door, one
of which forks also held a coon-skin bullet-pouch and curiously
carved powder-horn. The fire-place before which he sat was broad and
deep, roughly lined with jagged stones picturesquely black with
fleecy accumulations of soot from pine smoke; it was crossed by a
heavy charred wooden crane and on its broad jambs rested a curious
collection of cob-pipes, clay-pipes, wooden pipes and soft-stone
pipes, along with sundry ragged twists of brown home-raised tobacco.
There was a low, wide window on one side of the room, and beside it
Moreton's eyes rested for a moment on a slim girl's form in a
half-cowering position. She was so turned from him that he could see
no more of her face than a rounded line of one cheek. There was a
heavy brush of long, bright, yellowish flaxen hair, a very delicate
ear and a glimpse of a brown throat and neck. One hand, rather large
but shapely, lay along her lap, on the scant folds of a homespun
cotton dress, the skirt of which could not quite hide her
coarsely-shod feet. There was something curiously striking in this
crumpled little figure that held Moreton's gaze for a time. Through
an open door that gave into a smaller room, the intermittent hum of a
spinning-wheel made itself heard, distinct from the clash and swash
of the storm, and a tall angular woman walked back and forth, drawing
out and reeling up the coarse thread she was twisting. The man had
soon fetched wood and pine knots for the fire, and presently a
liberal flame wavered up to the mouth of the great old chimney. He
turned to Moreton and said:
"Lay off yer coat, strenger, an' git yer shirt dry; hit's outdacious
onagreeable fur to hev on a wet shirt."
Moreton smiled pleasantly.
"Thank you, I will," he said, rising and stripping off the stiff
jacket. "You are very kind. I am covering your floor with water."
"Shaw, that's nothin'," replied the man, in a tone of gentle
contempt; "ef ye'd see hit sometimes when I come in ye mought talk.
Them little puddles haint nothin' 'tall. The Colonel an' me jest
floods the whole house when we gits wet."
"Wonder ef John haint a comin', Pap?"
This sudden inquiry came in a sweet, half-shy voice from the girl at
the window.
"She calls him John, I calls him Colonel," explained the man. Then
turning to answer the question:
"Oh, ther's no 'countin' fur him; he's as like to stay out all day
and night es any way; hit don't make no differ'nce 'bout rain es to
him, do it, Milly?"
The girl had turned her face toward the man when she spoke, but now
she averted it again, a little flush gathering on the brown cheek.