Mysterious Psychic Forces: An Account of the Author's Investigations in Psychical Research, Together with Those of Other European Savants — John Stuart Mill — John Shaqi
Mysterious Psychic Forces: An Account of the Author's Investigations in Psychical Research, Together with Those of Other European Savants
John Stuart Mill · en
In these meetings of the Parisian Society for Spiritualistic Studies, I
wrote for my part, some pages on astronomical subjects signed "Galileo."
The communications remained in the possession of the society, and in 1867
Allan Kardec published them under the head _General Uranography_, in his
work entitled _Genesis_. (I have preserved one of the first copies, with
his dedication.) These astronomical pages taught me nothing. So I was not
slow in concluding that they were only the echo of what I already knew,
and that Galileo had no hand in them. When I wrote the pages, I was
in a kind of waking dream. Besides, my hand stopped writing when I began
to think of other subjects.
[Illustration: PLATE II. HOUSE OF ZOROASTRE OF JUPITER FROM SOMNAMBULISTIC
DRAWING BY VICTORIEN SARDOU.]
[Illustration: PLATE III. ANIMALS' QUARTERS. HOUSE OF ZOROASTRE OF JUPITER
FROM SOMNAMBULISTIC DRAWING BY VICTORIEN SARDOU.]
I may quote here what I said on this subject in my work, _The Worlds of
Space_ (_Les Terres du Ciel_), in the edition of 1884, p. 181:--
The writing medium is not put to sleep, nor is he magnetized or
hypnotized in any way. One is simply received into a circle of
determinate ideas. The brain acts (by the mediation of the nervous
system) a little differently from what it does in its normal state.
The difference is not so great as one might suppose. The chief
difference may be described as follows:
In the normal state we think of what we are going to write _before_
the act of writing begins. There is a direct action of the will in
causing the pen, the hand, and the fore-arm to move over the paper. In
the abnormal state, on the other hand, we do not think before writing;
we do not move the hand, but let it remain inert, passive, free; we
place it upon the paper, taking care merely that it shall meet with
the least possible resistance; we think of a word, a figure, a stroke
of the pen, and the hand of its own volition begins to write. But the
writing medium must _think_ of what he is doing, not beforehand, but
continuously; otherwise the hand stops. For example, try to write the
word "ocean," not _voluntarily_ (the ordinary way), but by simply
taking a lead-pencil, and letting the hand rest lightly and freely
upon the paper, while you think of your word and observe carefully
whether the hand will write. Very good; it does begin to move over the
paper, writing first an _o_, then a _c_, and the rest. At least that
was my experience when I was studying the new problems of spiritualism
and magnetism.