Nordenholt's Million — John Stuart Mill — John Shaqi
Nordenholt's Million
John Stuart Mill · en
“You don’t realise it, Jack; but it’s just on the cards that our
whole future turns on Henley-Davenport. I see things coming. They’re
banking up on the horizon already; and if the storm bursts, nothing but
Henley-Davenport can save us. And the worst of it is that he doesn’t
seem to be getting ahead much at present. It’s no fault of his. No
one could work harder; and the other two--Struthers and Anderson--are
just as keen. But it doesn’t come out, somehow. And the tantalising
thing is that he has proved it _can_ be done; only at present it isn’t
economical. He gets energy liberated, all right; but where we need a
ton of gunpowder, he can only give us a percussion cap, so to speak. If
only he can hit on it in time....”
* * * * *
For my own part, that period was depressing. All the joy had gone out
of my work. Only after I had lost her did I realise how great a part
Elsa had played in my planning of the future. Her disappearance cast
a shade over all my schemes; and soon I gave up entirely the side of
the reconstruction in which we had collaborated. I could not bear to
think over again the lines along which we had worked so intimately in
common. I simply put them out of my mind and concentrated my attention
exclusively upon the material aspects of the problem.
I have said this quite freely; though possibly the reader may look
upon me as a weak man for allowing such factors to enter into so vast
a matter. Had I been superhuman, no doubt, I could have shut my mind
to the past; and gone forward without flinching. But I never imagined
that I was a super-man; and at this time especially I felt anything but
superhuman. I was wounded to the quick; and all I desired was to avoid
the whole subject of Elsa in my thoughts. And when I come to think of
it, it seems quite probable that I did my best work in this way. If I
had continued to dream of Fata Morgana and all its wonders, I should
simply have drugged myself with a mental opiate and my work would have
suffered on other sides.
Elsa’s whole attitude to Nordenholt and myself had been a puzzle. I
could not understand why she should have been so bitter against us; for
try as I could, I failed to see anything discreditable in our doings.
The logic of events had thrust us into the position we occupied, it
seemed to me; and I could not appreciate her view of the situation.
Nordenholt kept silence on the subject for some days after our trip
up Loch Lomond; but he finally gave me his views in reply to urgent
questioning.
“I think it’s something like this, Jack: from what I know of Elsa in
the past, she’s got a vivid imagination, very vivid; and it happens to
be the pictorial imagination. Give her a line of description, and she
has the power of calling up the scene in her mind, filling in missing
details and producing something which impresses her profoundly.”
“Well, I don’t see what that’s got to do with calling me a brute,” I
said. “It doesn’t seem to help me much.”