Notes on the Art Treasures at Penicuik House Midlothian — John Stuart Mill — John Shaqi
Notes on the Art Treasures at Penicuik House Midlothian
John Stuart Mill · en
The remaining letters afford even a more curious glimpse of the
fascination which Rosemary Dacre exercised upon those who came within
the circle of her influence. The first is addressed to her husband’s
nephew and successor the Right Hon. Sir George Clerk, and is dated—
“CHITTON LODGE,
_3 June 1830._
“MY DEAR SIR GEORGE,—Enclosed I send you Capt. Morris’s verses
which I mentioned to you. The circumstances which occasioned
them were the following. Lord Stowell, Lord Sidmouth, and
Capt. Morris, with some other Friends, were dining with me
last Spring, when Lord Stowell remarked that although Capt.
Morris was the same age as himself he was much more active
and elastic. Capt. Morris attributed this to his having been
ardently in Love for the whole of his Life; and on being
pressed to disclose the object of his passion confessed that it
was Lady Clarke, who at the age of sixteen won his affection,
and that although he had been since married she had never
ceased to exercise an influence on his heart, and be a source
of animation. Lord Stowell immediately acknowledged that by
a remarkable coincidence he also had been enamoured of Lady
Clarke, and at the same age of sixteen, and that although twice
married, the recollection of her charms had not been effaced
from his mind. This of course gave rise to much mirth among the
company, Lord Sidmouth particularly laughing at the Lovers,
who at the age of eighty-four declared that their passion was
undiminished towards a Lady who had attained the same age,
I am,
My dear Sir George,
Yours truly,
JOHN PEARSE.”
Then follows a copy of the enclosure from Captain Morris of the Life
Guards, who, it may be remarked, was a well-known politician and
popular song-writer, and a boon companion of the wits at Brooks.
His portrait, engraved by Greatbach, is given in an early volume
of “Bentley’s Miscellany,” and another portrait, painted by James
Lonsdale, was recently acquired by the National Portrait Gallery,
London.
“NO. 1 THORNHAUGH ST.
BEDFORD SQ.
_May 29, 1829._
MY DEAR SIR,—Looking in my Scrap Book to-day, I find a few
Stanzas, on my _deathless Passion_ for my _first love_,
written in my latter days, and as such an extraordinary and
singular coincidence on that subject occurred at your table on
Wednesday, I take the liberty of enclosing them to you, the
more so as Lady Sidmouth is a correspondent, and perhaps might
have no objection to honour them with a perusal; if you think
so, and will let her Ladyship see them, I beg permission to
commit them to your care, and I remain,
My dear Sir,
Most gratefully and faithfully
Yours,
CHAS. MORRIS.”