Picturesque Sketches of London, Past and Present — John Stuart Mill — John Shaqi
Picturesque Sketches of London, Past and Present
John Stuart Mill · en
We have now arrived at Doctors' Commons, and our engraving over-leaf
represents the Prerogative Court, one of the chambers in which the wills
of the dead are deposited. Through those doors many a beating and
anxious heart enters to return disappointed, or half delirious with
delight, through dreaming of the many pleasures which riches will
procure. What thousands of human beings, fluttering between hope and
fear, have passed through the shadow of that arched gateway which opens
into St. Paul's Churchyard; many to repass the possessors of riches, but
never again to find that sweet sleep which hard-handed industry brought,
and which moderate competency had never before heaved a sigh for!
Legacies left, which proved a curse instead of a comfort, by arousing
ambitious thoughts to soar amid airy speculations, where hundreds of
captivating bubbles floated, tinged with the richest hues, until all in
a moment burst, and left but a naked desolation behind--a hideous
barrenness--never seen while those painted vapours danced before the
eye. Wealth, over which Care ever after kept watch with sleepless eyes
and furrowed brow, uncertain into which stream of enjoyment he should
launch with his freight, and so pondered until old age and then death
came, and instead of the castle he had so long contemplated purchasing,
he was installed without a tear into the narrow coffin, and borne
without a sigh to the grave. Others, again, raised from enduring and
patient poverty to undreamed-of comfort, because he who would not have
advanced them a shilling, would it have saved them from starvation and
death, was now powerless; his greatest agony, when he passed away, being
the thought that he could not carry his unforgiving vengeance beyond the
grave; that he had not power to disinherit the child whom he spurned and
hated. We have gazed on those dark-bound volumes in the Prerogative
Will-Office, and thought that if the dead were permitted to return
again, what ghastly forms would enter that room, shrieking aloud names
once beloved, and blotting out for ever such as they had in their blind
passion inserted. One stroke of the pen, and she who sits weeping and
plying her needle in one of the neighbouring attics (her children crying
around her for bread) might have been trailing the roses around the
trellised porch of some beautiful cottage, while they were playing on
the green lawn, strangers to sorrow and hunger.