To the bright woman who is interested in the study of civics, political economy, and sociology, there is opportunity to earn a living at home by organizing classes in these subjects among the club-women of her town. Teachers of parliamentary law are in especial demand. The organization of a mock congress for parliamentary practise is the most entertaining as well as the most improving play in which women can join. There is also a demand among women who seek an intellectual element in their recreation for instruction in the games of bridge-whist, whist, and chess. Bridge-whist is the most popular, largely because of the desire to win money and valuable prizes at the game. Then, too, a greater amount of time is spent at it than is legitimate for recreation. For moral reasons, therefore, the teaching of it cannot be recommended. Straight whist is also played occasionally for money, but this practise, happily, is rapidly becoming obsolete. Chess, except among professionals, is played purely for sport, and is therefore the best of games to study. Unfortunately there is very little demand for instruction in it by women; nevertheless, it is the best of all games for cultivating the analytical power of the mind, a faculty in which women, as a rule, are weak. This power may, with equal pleasure and greater profit, be gained by paying special attention, in the reading of books and magazines, to literary style and construction. The average reader assimilates only a small percentage of what he reads. The careful thought which the author puts into his manner of presentation, no less than into the matter, is appreciated by very few of his readers, and by these only to a limited extent. Especially is this true of fiction. If one wishes to become an author, he should first cultivate this power of criticism, always accompanying the study by exercises in reconstruction of faults in the author read. Thus, wherever a sentence appears awkward in expression, the reader should revise it; wherever there is a seeming error in the logical development of a subject, or the psychological development of a fictitious character, he should reconstruct it. Nothing is so helpful to a writer as self-criticism. Thus Mrs. Humphrey Ward has recently confessed that the happy ending of her "Lady Rose's Daughter" was an artistic error, false to psychology, her heroine being doomed to unhappiness by her character. After creating his characters, and placing them in situations where their individuality has proper scope for action, the author must let them work out their own salvation. A thoroughly artistic work is marked throughout by the quality of "the inevitable," and for this the reader should always be seeking. There is no surer indication of shallowness than the desire to read only about pleasant subjects and characters and events. It is akin to the habit of ignoring the existence of everything disagreeable in life, which Dickens has satirized in his character, Mr. Podsnap.