Utility, comfort and elegance are, as Cowper shows, the three successive purposes for which furniture was designed. And to-day the order of development remains also the order of importance. The first things to be desired in any article of furniture are durability and simple application to its purpose. These being found, a person naturally looks to see if the use of them will contribute to his physical pleasure as well as his convenience, that the back of a chair is the right height and curvature to fit his back, and the seat is not so deep as to strain his legs; that the table or desk is one he can spread his legs under in natural fashion, and rest his elbows upon with ease; in short, that the furniture conforms to his bodily requirements, as the chair and bed of the "wee teenty bear" suited exactly the little old woman of Southey's tale. Last of all, the aesthetic pleasure, the appreciation of beauty by the mind, decides the choice in cases of equal utility and comfort. The artistic considerations are so many that furniture has become a branch of art, like sculpture or painting, with a large literature and history of its own. Since most authorities on the subject largely ignore the questions of utility and comfort, devoting themselves to the questions of aesthetic style, it will be useful to our purpose here to confine the discussion to the neglected qualities. As a rule, a durable, useful, and comfortable article is a beautiful one. At least it has the beauty of "grace," by which terms the old writers on aesthetics characterized perfect adaptation to purpose, and the beauty of what they called "homeliness," or, as we would now say, since this term has been perverted, of "hominess," the suggestion of adding to the pleasure of the household. The quality of "hominess" is greatly increased in an article of furniture by a frank look or "home-made" appearance. There is no more delightful occupation for the leisure hours of a man or woman, and no more useful training for a boy or girl, than the making of simple articles of home furniture. Really, the first article of furniture which should be brought into the house is a well-equipped tool-chest, and the first room which should be fitted up is the workshop. A vast amount of labor will be saved thereby in unpacking, adjusting, repairing, and polishing the old and the new household articles, so that life in the new home be begun under the favorable auspices of the great household deity, the Goddess of Order. When it is further considered that often small repairs made by a carpenter cost more than a new article, the tool-chest will be valued by the family as a most profitable investment.