Revolving lights : $b Pilgrimage, Volume 7 — John Stuart Mill — John Shaqi
Revolving lights : $b Pilgrimage, Volume 7
John Stuart Mill · en
It can't be wrong to exist. In those moments before disaster existence
is perfect. Being quite still. Sounds come presently from the outside
world. Your mind moving about in it without envy or desire, realises the
whole world. The future and the past are all one same stuff, changing
and unreal. The sense of your own unchanging reality comes with an
amazement and sweetness too great to be borne alone; bringing you to
your feet. There _must_ be someone there, because there is a shyness.
You rush forward, to share the wonder. And find somebody engrossed with
a cold in the head. And are so emphatic and sympathetic that they think
you are a new friend and begin to expand. And it is wonderful until you
discover that they do not think life at all wonderful.... That afternoon
it had been a stray knock at the front door and a sudden impulse to save
Mrs. Bailey coming upstairs. And Mrs. Bailey, after all she had said,
also surprised into a welcome, greeting Eleanor as an old friend, taking
her in at once. And then the old story of detained luggage, and plans
prevented from taking shape. The dreadful slide back, everything
disappearing but her and her difficulties, and presently everything
forgotten but the fact of her back in the house. Afterwards when the
truth came out, it made no difference but the relief of ceasing to be
responsible for her. But this time there had been no responsibility. She
had made no confidences, asked for no help. Was it blindness, or
flattered vanity, not to have found out what she was going through?
Yet if the facts had been stated, Eleanor would not have been able to
forget them. In those evenings and week-ends she had forgotten, and been
happy. The time had been full of reality; memorable. It stood out now,
all the going about together, drawn into a series of moments when they
had both seen with the same eyes. Experiencing identity as they laughed
together. Her recalling of their readings in the little Marylebone room,
before the curate came, had not been a pretence. Mr. Taunton was the
pretence. There had been no space even for curiosity as to the end of
his part of the story. Eleanor, too, had not wished to break the charm
by letting things in. She had been taking a holiday, between the
desperate past and the uncertain future. In the midst of overwhelming
things she had stood firm, her power of creating an endless present at
its height. A great artist.
To Michael, a poor pitiful thing; Rodkin's victim. _She_, of course, had
given Michael that version. Little Michael, stealing to her room night
by night, towards the end, to sleep at her side and say consoling
things; never guessing that her threat of madness was an appeal to his
Jewish kindness, a way of securing him. What a story for proper English
people ... the best revelation in the whole of her adventure. And Mrs.
Bailey too; true as steel. Serenely warding off the women boarders ...
gastric distension.