Scenes and legends of the north of Scotland : $b or, The traditional history of Cromarty — John Stuart Mill — John Shaqi
Scenes and legends of the north of Scotland : $b or, The traditional history of Cromarty
John Stuart Mill · en
The promontories which bear this name are nearly equal in height, but
when viewed from the west they differ considerably in appearance.
The one, easy of access, crowned with a thick wood of pine, divided
into corn-fields, and skirted at the base by a broad line of ash
and elm, seems feminine in its character; while the other, abrupt,
stern, broken into precipices, and tufted with furze, is of a cast
as decidedly masculine. Two lovers of some remote age, had met by
appointment in a field of Cromarty which commands a full view of the
promontories in the aspect described. The young man urged his suit
with the characteristic warmth of his sex--his mistress was timid and
bashful. He accused her of indifference; and with all the fervour of
a passion which converts even common men into poets, he exclaimed,
pointing to the promontories, “See, Ada! they too are lovers--they are
hastening to embrace; and stern and rugged as that carle-hill of the
north may seem to others, he is not reckoned so by his lady-hill of
the south;--see how, with all her woods and her furrows, she advances
to meet him.”--“And think you,” rejoined the maiden, entering into the
poetry of the feeling, “that these tongueless _suitors_ cannot express
their mutual regards without the aid of language; or that that carle
of the north, rude as he is, would once think of questioning the faith
and affection of his advancing mistress, merely because she advances
in silence?” Her reply, say the people who contend for the English
derivation of the word, furnished the promontories with a name; and as
those alchemists of mind who can transmute etymology into poetry have
not been produced everywhere, few names have anecdotes equally pleasing
connected with their origin. The other legend is of a different
character, and has a merit peculiar to itself, to be amenable to any
known law of criticism.