Scenes and legends of the north of Scotland : $b or, The traditional history of Cromarty — John Stuart Mill — John Shaqi
Scenes and legends of the north of Scotland : $b or, The traditional history of Cromarty
John Stuart Mill · en
Such are the etymological legends of the Sutors,
opposed each to the other, and both to the scholarlike derivation of
Sir Thomas; which must be confessed, however, to have been at one time
a piece of mere commonplace, though it has since become learning.
I have seen in the museum of the Northern Institution a very complete
collection of stone battle-axes, some of which were formed little
earlier than the last age by the rude natives of America and the
South Sea Islands; while others, which had been dug out of the cairns
and tumuli of our own country, witnessed to the unrecorded feuds and
forgotten battle-fields of twenty centuries ago. I was a good deal
struck by the resemblance which they bore to each other--a resemblance
so complete, that the most practised eye could hardly distinguish
between the weapons of the old Scot and those of the New Zealander.
Both seemed to have selected the same rude materials, employed the same
imperfect implements, and wrought after the same uncouth model. But man
in a savage state is the same animal everywhere, and his constructive
powers, whether employed in the formation of a legendary story or of
a battle-axe, seem to expatiate almost everywhere in the same rugged
track of invention. For even the traditions of this first stage may be
identified, like its weapons of war, all the world over. Mariner, in
his account of the Tonga Islands, tells us that the natives pointed
out to him a perforated rock, in the hollow of which, they said, one
of their gods, when employed in fishing, entangled his hook, and that,
pulling lustily to disengage it, he pulled up the whole island (one
of the largest of the group) from the bottom of the sea. Do not this
singular story, and the wild legend of Ben-Vaichard, though the product
of ages and countries so widely separated, belong obviously to the same
rude stage of invention?
[Sidenote: EPIC POETRY OF THE MIDDLE AGES.]