Scenes and legends of the north of Scotland : $b or, The traditional history of Cromarty — John Stuart Mill — John Shaqi
Scenes and legends of the north of Scotland : $b or, The traditional history of Cromarty
John Stuart Mill · en
It is, perhaps, not quite unworthy of remark, that not only is Cromarty
the sole district of the kingdom whose annals ascend into the obscure
ages of fable, but that the first passage of even its real history
derives its chief interest, not from its importance as a fact, but from
what may be termed its chance union with a sublime fiction of poetry.
Few, I daresay, have so much as dreamed of connecting either its name
or scenery with the genius of Shakspere, and yet they are linked to
one of the most powerful of his achievements as a poet, by the bonds
of a natural association. The very first incident of its true history
would have constituted, had the details been minutely preserved, the
early biography of the celebrated Macbeth; who, according to our
black-letter historians, makes his first appearance in public life as
Thane of Cromarty, and Maormor, or great man of Ross. But I am aware I
do not derive from the circumstance any right to become his biographer.
For though his character was probably formed at a time when he may
be regarded as the legitimate property of the provincial annalist,
no sooner is it exhibited in action than he is consigned over to the
chroniclers of the kingdom.
For the earlier facts of our history the evidence is rather
circumstantial than direct. We see it stamped on the face of the
country, or inscribed on our older obelisks, or sometimes disinterred
from out of hillocks of sand, or accumulations of moss; but very
rarely do we find it deposited in our archives. Let us examine it,
however, wherever it presents itself, and strive, should it seem at
all intelligible, to determine regarding its purport and amount. Not
more than sixty years ago a bank of blown sand, directly under the
northern Sutor, which had been heaped over the soil ages before, was
laid open by the winds of a stormy winter, when it was discovered that
the nucleus on which the hillock had originally formed, was composed of
the bones of various animals of the chase, and the horns of deer. It
is not much more than twelve years since there were dug up in the same
sandy tract two earthen urns, the one filled with ashes and fragments
of half-burned bones, the other with bits of a black bituminous-looking
stone, somewhat resembling jet, which had been fashioned into beads,
and little flat parallelograms, perforated edgewise, with four holes
apiece. Nothing could be ruder than the workmanship: the urns were
clumsily modelled by the hand, unassisted by a lathe; the ornaments,
rough and unpolished, and still bearing the marks of the tool,
resembled nothing of modern production, except, perhaps, the toys which
herd-boys sometimes amuse their leisure in forming with the knife.
We find remains such as these fraught with a more faithful evidence
regarding the early state of our country than the black-letter pages
of our chroniclers. They testify of a period when the chase formed,
perhaps, the sole employment of the few scattered inhabitants; and of