Some Artists at the Fair — John Stuart Mill — John Shaqi
Some Artists at the Fair
John Stuart Mill · en
There is nothing like a colossal exhibition to emphasize the disastrous
effects of wealth upon the human spirit. Your friend with plenty of
money goes to the Fair because others do and because he hates to be “out
of it.” He reaches Chicago in a palace car, occupies luxurious rooms at
a comfortable and expensive hotel, takes a carriage when others walk,
and at the exhibition itself derives pleasure only from those things
that are unexpectedly novel. And to him such sights are few and such
sensations rare. What he does realize, however, continually and with
force, is the enormity of the crowd with its thoughtless persistence in
holding the best places in front of those exhibits he wishes to see
himself. Moreover, there is an ever-increasing sense of physical
discomfort, and that is something your moneyed friend is slow to
forgive. But he does his duty, and he is glad above all to get home
again.
But how different with your less prosperous friend, who has been
economizing for months in order to get there! It being an expensive
business, his time is limited, and he drinks it in through all his
senses, excitedly and with large gulps. It is hard work, but how
interesting! That dull pain which overtakes the great majority of
sightseers soon catches him in the back of his neck, but as long as he
can see, hear, and walk, he profits by his opportunities. And he goes to
his home mentally refreshed, a broader and a wiser man. He has gained an
experience he would not exchange for many dollars.
[Illustration: A BRIDE AND GROOM.]
An unlooked-for feature of the exhibition is the profusion of newly
married couples. Whether all this individual ecstasy adds gayety or
mournfulness to the Fair depends, of course, entirely upon the point of
view from which the victims are regarded. It is evident that many happy
grooms have considered this a chance to kill two birds with one stone,
and, as far as one can judge results from outward appearances, there is
no question as to the practical working of the scheme. The happy couple
find themselves in a sort of fairy land, wandering about among countless
strangers, whose very numbers seem to lend security and to harden the
over-sensitive soul. The crowd also seems to create a feeling of
isolation which the innermost recesses of a virgin forest could never
supply. Moreover, there is here so much else to occupy the attention of
the usually obnoxious public that the bride and groom can hold hands
with absolute security and be as bold or blushing as their temperaments
may demand.