Some Artists at the Fair — John Stuart Mill — John Shaqi
Some Artists at the Fair
John Stuart Mill · en
The important question for the individual citizen is whether it is worth
his while to go to this fair. And this, of course, depends altogether
upon his purse, his stomach, his back, his legs, nerves, wife, children,
and business. He may never have another such opportunity for mental
expansion and physical discomfort. It is a marvel of architectural
beauty. It is days of instruction, of art and science, of surprise and
exasperation, of mental development, fatigue, and financial ruin. In the
end his personal preferences, however, will probably have little to do
with it. All the world are going, and he must go too.
THE ART OF THE WHITE CITY
_By Will H. Low_
On the way west to the White City, to “the stately pleasure-dome
decreed,” where the arts of civilization by the unwritten law of
International Expositions hold their court, the observant traveller
finds abundant food for thought. Beyond Niagara, assuming his point of
departure to be New York, he sees in the landscape through which he is
whirled a continuous sweep of flat farming land, but little water;
fences everywhere, trees sparsely scattered, and plain box-like houses
telling only of shelter; abundant barns differing little from the
dwellings, and from time to time towns of varied nomenclature ranging
from Delhi to Kalamazoo. Through the horizontal blur caused by the speed
of the train through which all this is seen, there appear, principally
about the stations, figures which lend a languid interest to the dead
level of monotony.
The human interest of the picture, however, tells the same story as the
landscape--a story of hard work, of material reward, an acquiescence in
the law by which labor gains bread and shelter, and little else.
Occasionally, in the immediate vicinity of the stations, there is some
attempt at adornment, generally confined to “tidying up” the
surroundings; but around the farm-houses few or no flowers, little or no
attempt to beautify the home, nothing of the almost frantic suburban
effort of the East which has made the country kaleidoscopically varied
with color, for the most part bad, yet giving hope that the next
generation will do better, and pointing at least to a desire for beauty.
Individual effort, unseen along the route, may be slandered by the
preceding, but such for many monotonous miles seemed the foreground of
the picture we were journeying to see.
At last a plain, varied by marshes, through which boarded walks running
at right angles, with an occasional house here and there, testified to
the various suburban excrescences of a great city; then a dome or two,
towers, flags fluttering in the sun, innumerable trains, clangor of
bells and shrieking of whistles; and with Chicago seven miles away,
hidden in a pall of smoke, the White City was at hand.
There are certain mastering impressions in one’s life, certain scenes
which stamp the memory, and, like the priceless _kakemono_ which the
reverent Japanese withdraws from hiding when in the mood to