Some Artists at the Fair — John Stuart Mill — John Shaqi
Some Artists at the Fair
John Stuart Mill · en
All of its interior ichthyological features might have been anticipated
even at the threshold of the building, with its rich and effective
portals, where so many of these very forms are seen petrified in surface
ornament. The building is in the form of a rectangular central structure
with two octagonal annexes, each with its own beautiful portal, and
connected to the main edifice by curved colonnades, with arch and
balustrade--portal and pillar, capital, entablature and arch and
panel--everywhere sculptured with ornaments whose themes are drawn from
the subaqueous life to which the building is dedicated. The very balcony
upon which we lean is supported by columns composed of four ingeniously
and gracefully interlocked dolphins, while the pillars on right and left
and throughout the entire exterior suggest curious geometric fossils
from the deeps. Here a spiral procession of huge toads, whose uncouth
shapes thus embodied in conventional ornament are singularly agreeable
and effective. Each successive pillar is a study alike for the
naturalist or designer--here a sinuous procession of river-horses
(hippocampus), the incurved tail forming a volute repeated with pleasant
effect in the spiral bands of ornament. Accommodating star-fishes
embrace their respective pillars, touching points in geometric design.
Here are eels and fishes meandering among bulrushes and arrowheads.
Lizards, crabs, and turtles, each combine in effective ornament about
their particular columns, which are surmounted by capitals of even
greater ingenuity and effectiveness of design, perhaps because less
geometric. Gaping frogs leaping among water-weeds; lobsters captive and
sprawling in their wicker “pots;” fishes entangled in the meshes of
nets, or engaged in mortal combat, their gaping mouths finely utilized
in effective points of shadow--the modelling of each and all suggests
the perfection of a cast from nature. To those who look for a happy
blending of architectural purpose and harmonious ornament, this building
will be a welcome innovation. To the naturalist or the idler in quest of
the mere picturesque, the Fisheries Building with its wandering façade
and colonnade, its roof of ruddy tiles and almost Moresque richness of
surface ornament in high relief, will be found well worth careful study.
How many are the obvious natural themes yet awaiting their sculptured
memorial in the temple of architecture. Must the classical and testy
acanthus
[Illustration:
ELKHORN FERN, A SUGGESTION FOR AN ARCHITECT--IN THE AUSTRALIAN
EXHIBIT, HORTICULTURAL HALL.]