Strictly Business: More Stories of the Four Million — John Stuart Mill — John Shaqi
Strictly Business: More Stories of the Four Million
John Stuart Mill · en
“I have never thought of it that way,” she said, with a kind of sincere
intensity that seemed to belong to her. “Isn’t it in the still, quiet
places that things do happen? I fancy that when God began to create the
earth on the first Monday morning one could have leaned out one’s
window and heard the drops of mud splashing from His trowel as He built
up the everlasting hills. What did the noisiest project in the world—I
mean the building of the Tower of Babel—result in finally? A page and a
half of Esperanto in the _North American Review_.”
“Of course,” said I platitudinously, “human nature is the same
everywhere; but there is more color—er—more drama and movement
and—er—romance in some cities than in others.”
“On the surface,” said Azalea Adair. “I have traveled many times around
the world in a golden airship wafted on two wings—print and dreams. I
have seen (on one of my imaginary tours) the Sultan of Turkey bowstring
with his own hands one of his wives who had uncovered her face in
public. I have seen a man in Nashville tear up his theatre tickets
because his wife was going out with her face covered—with rice powder.
In San Francisco’s Chinatown I saw the slave girl Sing Yee dipped
slowly, inch by inch, in boiling almond oil to make her swear she would
never see her American lover again. She gave in when the boiling oil
had reached three inches above her knee. At a euchre party in East
Nashville the other night I saw Kitty Morgan cut dead by seven of her
schoolmates and lifelong friends because she had married a house
painter. The boiling oil was sizzling as high as her heart; but I wish
you could have seen the fine little smile that she carried from table
to table. Oh, yes, it is a humdrum town. Just a few miles of red brick
houses and mud and lumber yards.”
Some one knocked hollowly at the back of the house. Azalea Adair
breathed a soft apology and went to investigate the sound. She came
back in three minutes with brightened eyes, a faint flush on her
cheeks, and ten years lifted from her shoulders.
“You must have a cup of tea before you go,” she said, “and a sugar
cake.”
She reached and shook a little iron bell. In shuffled a small Negro
girl about twelve, barefoot, not very tidy, glowering at me with thumb
in mouth and bulging eyes.
Azalea Adair opened a tiny, worn purse and drew out a dollar bill, a
dollar bill with the upper right-hand corner missing, torn in two
pieces, and pasted together again with a strip of blue tissue paper. It
was one of the bills I had given the piratical Negro—there was no doubt
about it.
“Go up to Mr. Baker’s store on the corner, Impy,” she said, handing the
girl the dollar bill, “and get a quarter of a pound of tea—the kind he
always sends me—and ten cents worth of sugar cakes. Now, hurry. The
supply of tea in the house happens to be exhausted,” she explained to
me.