Studies in the Poetry of Italy, Part I. Roman — John Stuart Mill — John Shaqi
Studies in the Poetry of Italy, Part I. Roman
John Stuart Mill · en
The third act gives a picture of the situation from the point of view of
the two old men, Demipho and Chremes, for the latter has just returned
from Lemnos, and now comes upon the stage fresh from his travels, in
company with his brother. We now discover for the first time what is
probably the real reason for the opposition to Antipho's marriage to the
orphan girl.
_Dem._ Well, Chremes, did you bring your daughter with you, for whose
sake you went to Lemnos? _Chr._ No, I didn't. _Dem._ Why not? _Chr._
When her mother saw that I was delaying my coming too long, and that
my negligence was harming our daughter, who had now reached a
marriageable age, she simply packed up her whole household, and came
here to hunt me up--so they told me over there. And then I heard from
the skipper who brought them that they reached Athens all right.
_Dem._ Have you heard what has happened to my son while I was gone?
_Chr._ Yes, and it's knocked all my plans into a cocked hat. For if I
make a match for my daughter with some outsider, I'll have to tell
him categorically just how she comes to be mine, and who her mother
is. I was secure in our proposed match between her and Antipho, for I
knew that my secret was as safe in your hands as in my own; whereas
if an outsider comes into the family, he will keep the secret as long
as we are on good terms; but if we ever quarrel, he will know more
than is good for me [_looking around cautiously, and speaking with
bated breath_]; and I'm dreadfully afraid that my wife will find it
out in some way. And if she does, the only thing left for me to do is
to take myself off and leave home; for my soul is the only thing I
can call my own in this house.
From this it develops that Chremes has had a wife and daughter in
Lemnos, and now lives in wholesome fear of his too masterful Athenian
spouse.
Geta now comes upon the stage in fine spirits, loud in his praises of
the shrewdness of Phormio, with whom he has just concluded a scheme for
getting the money. He is in search of Demipho, and is surprised to find
Chremes on hand as well. Meanwhile, Antipho has come cautiously upon the
stage in search of Geta, just as the latter goes boldly up to the two
old men. As yet unseen by any one, Antipho retires to the back of the
stage, and overhears the following conversation: