The Bishop of Cottontown: A Story of the Southern Cotton Mills — John Stuart Mill — John Shaqi
The Bishop of Cottontown: A Story of the Southern Cotton Mills
John Stuart Mill · en
[Transcriber's Note: Obvious printer errors, have been silently
corrected. For clarity, have added new paragraphs with respect to
dialogue within paragraphs. The name Hillard and Hilliard have
been uniformly changed to Hillard. Corrected incorrect usages of
'its' and 'it's.' All other inconsistencies (i.e. The inconsistent
spellings--sombre/somber, gray/grey, hyphen/no hyphen) have been
left as they were in the original.]
PART FIRST--THE BLOOM
THE COTTON BLOSSOM
The cotton blossom is the only flower that is born in the shuttle of
a sunbeam and dies in a loom.
It is the most beautiful flower that grows, and needs only to become
rare to be priceless--only to die to be idealized.
For the world worships that which it hopes to attain, and our ideals
are those things just out of our reach.
Satiety has ten points and possession is nine of them.
If, in early August, the delicately green leaves of this most
aristocratic of all plants, instead of covering acres of Southland
shimmering under a throbbing sun, peeped daintily out, from among the
well-kept beds of some noble garden, men would flock to see that
plant, which, of all plants, looks most like a miniature tree.
A stout-hearted plant,--a tree, dwarfed, but losing not its dignity.
Then, one morning, with the earliest sunrise, and born of it, there
emerges from the scalloped sea-shell of the bough an exquisite,
pendulous, cream-white blossom, clasping in its center a golden
yellow star, pinked with dawn points of light, and, setting high up
under its sky of milk-white petals flanked with yellow stars, it
seems to the little nestling field-wrens born beneath it to be the
miniature arch of daybreak, ere the great eye of the morning star
closes.
Later, when the sun rises and the sky above grows pink and purple,
it, too, changes its color from pink to purple, copying the sky from
zone to zone, from blue to deeper blue, until, at late evening the
young nestlings may look up and say, in their bird language: "It is
twilight."
What other flower among them can thus copy Nature, the great master?
Under every sky is a sphere, and under this sky picture, when night
falls and closes it, a sphere is born. And in that sphere is all of
earth.
Its oils and its minerals are there, and one day, becoming too full
of richness, it bursts, and throws open a five-roomed granary, stored
with richer fabric than ever came from the shuttles of Fez and
holding globes of oil such as the olives of Hebron dreamed not of.
And in that fabric is the world clothed.
Oh, little loom of the cotton-plant, poet that can show us the sky,
painter that paints it, artisan that reaches out, and, from the skein
of a sunbeam, the loom of the air and the white of its own soul,
weaves the cloth that clothes the world!
From dawn and darkness building a loom. From sunlight and shadow
weaving threads of such fineness that the spider's were ropes of sand
and the hoar frost's but clumsy icicles.