The boy explorers in darkest New Guinea — John Stuart Mill — John Shaqi
The boy explorers in darkest New Guinea
John Stuart Mill · en
By nightfall the trail pitched suddenly downward toward the lagoon, and
the warriors raised their voices in an exulting chant. It was answered
by the deep boom of war drums, and presently they came down to a native
village on the shore of the lagoon. The mangroves had been cleared away
here, and on the beach were some twenty long black canoes, hauled up,
their high carved prows looming darkly against the glassy surface of
the waters, greenish orange in the dying hues of twilight.
The huts of the village were of bamboo, arched up from ground to ground
over a stout ridge pole, and thatched with palm attap. An excited crowd
of native men gathered around their party, while the warriors went on
singing and dancing, telling in vigorous pantomime the story of their
capture. There seemed to be no central chief, but some of the older and
more powerful warriors at length came to some sort of agreement, and
they were all thrust into an empty hut, the men who had captured their
weapons claiming the duty of being guards.
The explorers sat watchful on the clean sand floor of the hut, with
their guards standing in the doorway. A great fire was started out in
front, and they could see even the women and children, now, venturing
from the huts. Log after log was piled on the fire, and then pairs of
natives passed the door, carrying between them huge, rounded stones.
One after another these were laid on the fire, and gradually they
became red hot underneath, while the upper surfaces were smooth and
sooty in the licking flames.
“Prenty bad!” whispered Baderoon in the curator’s ear. “Fire dance!
Make you-fellah hopp’m on rock till he cook you’ foots. Den dey
_kai-kai_ dat foots. Leg, he stop, ’til next time. All _kai-kai_ some
day.”
It was time to act! The curator shifted his trick ring with his thumb
and opened the catch when it came inside his palm. His fingers closed
around his right wrist and sought the binding of twisted pandanus leaf.
A steady scratch-scratching of the little blade in the ring on the leaf
fiber went on, while their guards looked out the door, watching the
preparations.
VI
THE CURATOR’S AIR PISTOL
The flickering red lights from the dying flames of the fire lit up the
walls of the hut as the curator sat, free, with his hands still behind
him, considering what to do next. The fiery glow of embers under the
hot stones urged him to speedy action, for already the tom-toms of
trumpet-shaped Papuan war drums and the whang of stringed instruments
had struck up. The natives were yelling for the first prisoner to be
brought out. He did not propose that their party should go on stumps
for the rest of their lives.