The City of Delight: A Love Drama of the Siege and Fall of Jerusalem — John Stuart Mill — John Shaqi
The City of Delight: A Love Drama of the Siege and Fall of Jerusalem
John Stuart Mill · en
From an upper window behind a lattice, Hannah cried her farewells and
fluttered her scarf. She was smiling the drawn, white smile of a
mother who is forcing herself to be cheerful in the face of danger,
for the peace of those she loves. Laodice understood the tender
deception and when a sharp turn of the street cut off the sight of the
plumy trees of the garden, she covered her face and wept inconsolably.
On either side of the passage there came muffled sounds from houses;
out of open alleys leading into interior courts stole the fetor of
death that even the spice of burning unguents could not smother. The
whole air shuddered with the drumming of heathen physicians in the
pagan quarters, through which the silence of long stretches of
ominously quiet houses shouted its meaning. At times frantic barefoot
flights could be glimpsed as households deserted stricken houses, but
whatever outcry arose came from bedsides. Ascalon fled as a frightened
animal flees, silently and under cover.
They rode now through a shrieking wind, burdened with sallow smoke and
dreadful odors. Denser and denser the cloud grew till the streets
ahead were hidden in yellow vapor and near-by houses loomed with dim
outlines as if far off, and even the sounds of death and disaster
became choked in the immense prevalence of smell. Blinded, with scarf
and kerchief wrapped over mouth and nostril, the fleeing party swept
down upon the very heart of that stifling mystery. Through it
presently, as the houses thinned out, they saw cores of great heat
surmounted by black-tipped flames that crackled savagely. Momus, now
in the lead, turned sharply to his right and the next instant had the
wind behind him. Almost involuntarily each member of the party looked
back. Outside the breach of the broken wall, standing clear to view
with the wind from the hills sweeping townward from them, were
diabolical figures, naked and black, feeding immense pyres with
hideous fuel.
Past this grisly line, a camel with a single rider swept in from
seaward. The traveler lifted an arm and signaled to the party. Aquila
seemed not to see this hail, and rode on; but Costobarus, after the
traveler motioned to them once more, spoke:
"Does not this person make signs to us, Aquila?"
The pagan looked back.
"Why should he?" he asked.
"He can tell us," the master observed and spoke to Momus and Hiram,
who drew up their camels. The traveler raced alongside.
It was a woman, veiled and wrapped with all the jealous care of the
East against the curious eyes of strangers. Aquila took in her
featureless presence with a single irritated look and apparently lost
interest.
"Greeting, lady," Costobarus said.
"Peace, sir, and greeting," she replied respectfully. Her tones were
marked with the deference of the serving-class and Costobarus gave her
permission to speak.
"Art thou a Jew and master of this train?" she asked.
Costobarus assented.