The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855) — John Stuart Mill — John Shaqi
The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855)
John Stuart Mill · en
Our American educational methods too frequently seek to produce the
effect of polish upon a kind of sandstone information that will
not stand polishing. With such fatuity many of our teachers in the
secondary schools exercise their pupils in the study of English
masterpieces and in the critical estimate of æsthetic qualities
before acquainting them with the commonplace facts and fables that,
transmitted through generations, are the material of much of our poetry
because the material of daily converse, imagination, and thought. These
commonplaces of tradition are to be found largely in the literature
of mythology. Of course the evil would be neither so widespread nor
so dangerous if more of the guardians and instructors of our youth
were at home even among the Greek and Latin classics. But for various
reasons,--some valid, as, for instance, the importance of increased
attention to the modern languages and the natural sciences; others
worthless, as the so-called utilitarian protest against the cultivation
of "dead" languages,--for various reasons the study of the classics
is at present considerably impaired. It is, therefore, incumbent upon
our universities and schools, recognizing this fact and deploring it,
to abate so far as possible the unfortunate consequences that proceed
therefrom, until, by a readjustment of subjects of instruction and
of the periods allotted them, the Greek and Latin classics shall be
reinstated in their proper place as a means of discipline, a humanizing
influence, the historic background against which our present appears.
For, cut off from the intellectual and imaginative sources of Greece
and Rome, the state and statesmanship, legislation and law, society
and manners, philosophy, religion, literature, art, and even artistic
appreciation, run readily shallow and soon dry.