The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855)
John Stuart Mill · en
The princess, seeing him, was filled with admiration and scrupled not
to say to her damsels that she wished the gods would send her such
a husband. To Ulysses she recommended that he repair to the city,
following herself and her train so far as the way lay through the
fields; but when they should approach the city, she desired that he no
longer be seen in her company, for she feared the remarks which rude
and vulgar people might make on seeing her return accompanied by such
a gallant stranger. To avoid this she directed him to stop at a grove
adjoining the city, in which were a farm and garden belonging to the
king. After allowing time for the princess and her companions to reach
the city, he was then to pursue his way thither, and should be easily
guided by any he might meet to the royal abode.
Ulysses obeyed the directions and in due time proceeded to the city,
on approaching which he met a young woman bearing forth a pitcher for
water.[342] It was Minerva who had assumed that form. Ulysses accosted
her and desired to be directed to the palace of Alcinoüs, the king. The
maiden replied respectfully, offering to be his guide; for the palace,
she informed him, stood near her father's dwelling. Under the guidance
of the goddess and, by her power, enveloped in a cloud which shielded
him from observation, Ulysses passed among the busy crowd and with
wonder observed their harbor, their ships, their forum (the resort of
heroes), and their battlements, till they came to the palace, where
the goddess, having first given him some information of the country,
king, and people he was about to meet, left him. Ulysses, before
entering the courtyard of the palace, stood and surveyed the scene. Its
splendor astonished him. Brazen walls stretched from the entrance to
the interior house, of which the doors were gold, the doorposts silver,
the lintels silver ornamented with gold. On either side were figures of
mastiffs wrought in gold and silver, standing in rows as if to guard
the approach. Along the walls were seats spread through all their
length with mantles of finest texture, the work of Phæacian maidens.
On these seats the princes sat and feasted, while golden statues of
graceful youths held in their hands lighted torches which shed radiance
over the scene. Full fifty female menials served in household offices,
some employed to grind the corn, others to wind off the purple wool or
ply the loom. For the Phæacian women as far exceeded all other women in
household arts as the mariners of that country did the rest of mankind
in the management of ships. Without the court a spacious garden lay,
four acres in extent. In it grew many a lofty tree, pomegranate, pear,
apple, fig, and olive. Neither winter's cold nor summer's drought
arrested their growth.
The languid sunset, mother of roses,[343]
Lingers, a light on the magic seas,
The wide fire flames, as a flower uncloses,
Heavy with odor, and loose to the breeze.