The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855) — John Stuart Mill — John Shaqi
The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855)
John Stuart Mill · en
The myths are here presented in a logical and genealogical arrangement;
and they should be studied in this order, so that the pupil may carry
away, not a jumble of sporadic recollections, but some conception
of the systems of creative imagination which obtained in earlier
civilizations. The knowledge of the myths and the proper perspective
of their relation, one to another, may further be fixed by the study
of the family ties that motivate many of the incidents of mythical
adventure, and that must have been commonplaces of information to the
inventors and narrators of these stories.
The myths may well be reproduced as exercises in narration, comparison,
description; and they may be regarded as stimulus for imaginative
invention concerning local wonders and beauties of nature. Pupils
may also be encouraged to consider, and to comment upon, the moral
qualities of the heroes and heroines of mythology. Thus they may be led
to recognize the difference between ancient and modern standards of
right and wrong. To this end, and for the supply of further nutriment,
it is important that teachers collect from their reading of the
classic originals, or from translations of the Iliad, the Odyssey,
the Greek dramatists, the Æneid, the Metamorphoses, etc., material
supplementary to the text, and give it freely to their classes. To
facilitate this practice the sources of the myths have been indicated
in the footnotes of this volume, and a few of the best translations
have been mentioned in the Commentary. Instructors should also read to
the classes illustrative English poems, or portions of them based upon
the myths under consideration; and they should encourage the pupils to
collect from their English reading additional examples of the literary
survival or adaptation of ancient story. For this purpose special
sections of the Commentary have been prepared, indicating some of the
best known literary applications of each myth.
The Commentary is numbered in sections corresponding to those of the
text. The Textual Notes should be studied in connection with each
lesson, the Interpretative more sparingly, as I have said. They should
not be suffered to spoil the interest in the stories as such. They
are of interest in themselves only to maturer minds. Allusions and
interpretations which the younger pupil does not appreciate will, if
the book is used for purposes of reference in his further English,
Latin, or Greek studies, be clear before the end of his course.
From the outset care should be taken that pupils give to the classical
names their proper accent, and that they anglicize both vowels and
consonants according to the recognized rules laid down in the Latin
grammars, the English dictionaries, and the pages preceding the Index
of this book.