The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855) — John Stuart Mill — John Shaqi
The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855)
John Stuart Mill · en
The demigods and heroes were of matchless worth and valor. Their
adventures form the subject of many of the succeeding chapters. The
Older Heroes, especially, were endowed with godlike qualities, which
they devoted to the service of mankind in the destruction of monsters,
the founding of cities, or the introduction of civilization. Such were
Perseus, the hero of Argos and his descendant Hercules, who came to be
worshiped as the national hero of the Greeks. Such, too, Cadmus, the
founder of Thebes, and Cecrops of Athens, and one of his successors,
Theseus, a "second Hercules." Each city of Greece had its patron hero,
to whom it accorded the honors of divinity. The Younger Heroes were
chieftains in the Theban and the Trojan wars and in numerous other
military or predatory expeditions.
[Illustration: FIG. 5. POSEIDON, DIONYSUS, AND GODDESS]
FOOTNOTES:
[2] Supplementary information concerning many of the myths may be found
in the corresponding sections of the Commentary. For the pronunciation
of names see Index, and Rules preceding the Index.
[3] So far as possible, Latin designations, or Latinized forms of Greek
names, are used.
[4] On the Titans, etc., Preller's Griech. Mythol. 1, 37.
[5] On signification of Uranus, Cronus, Zeus, see Preller, 1, 37, 38,
and Commentary, §§ 4, 24.
[6] Roscher, Ausf. Lex., Article _Giganten_ [J. Ilberg].
[7] The name more probably signifies Brandisher [of the Lance].
[8] Consequently the creation of these men could not be assigned to
Prometheus,--unless they were made by him before the war of the Titans.
[9] There is uncertainty as to the mythical period of these events. The
order here given seems to me well grounded. Hes. Works and Days, 180;
Theog. 790-910.
[10] §§ 156, 161, 191 and Commentary, § 10.
[11] From Herakles, a drama by George Cabot Lodge.
[12] From Byron's Prometheus. See also his translation from the
Prometheus Vinctus of Æschylus, and his Ode to Napoleon Buonaparte.
[13] Prometheus, or The Poet's Forethought. See Commentary.
[14] Compare Byron's political satire, The Age of Bronze.
[15] Oracles, see §§ 24, 30, and Commentary.
CHAPTER II
THE GODS OF HEAVEN[16]
[Illustration: FIG. 6. TWO HOURS]
=22. Olympus.= The heaven of the Greek gods was the summit of an ideal
mountain called Olympus.[17] A gate of clouds, kept by goddesses,
the Hours or Seasons, opened to permit the passage of the Celestials
to earth, and to receive them on their return. The gods had their
separate dwellings; but all, when summoned, repaired to the palace
of Jupiter,--even the deities whose usual abode was the earth, the
waters, or the underworld. In the great hall of the Olympian king the
gods feasted each day on ambrosia and nectar. Here they conversed of
the affairs of heaven and earth; and as they quaffed the nectar that
Hebe poured, Apollo made melody with his lyre and the Muses sang in
responsive strain. When the sun was set, the gods withdrew to their
respective dwellings for the night.