The Dodge Club; Or, Italy in MDCCCLIX — John Stuart Mill — John Shaqi
The Dodge Club; Or, Italy in MDCCCLIX
John Stuart Mill · en
To hire a carriage in Naples for any length of time is by no means
an easy thing. It is necessary to hold long commune with the
proprietor, to exert all the wiles of masterly diplomacy to circumvent
cunning by cunning, to exert patience, skill, and eloquence. After a
decision has been reached, there is but one way in which you can hold
your vetturino to his bargain, and that is to bind him to it by
securing his name to a contract. Every vetturino has a printed form
all ready. If he can't write his name, he does something equally
binding and far simpler. He dips his thumb in the ink-bottle and
stamps it on the paper. If that is not his signature, what else
is it?
"Thus," said one, "Signor Adam signed the marriage-contract with
Signora Eva."
After incredible difficulties a contract had been drawn up and
signed by the horny thumb of a certain big vetturino, who went by the
name of "II Piccolo." It was to the effect that, for a certain
specified sum, Il Piccolo should take the party to Paestum and back
with a detour to Sorrento.
It was a most delightful morning. All were in the best of spirits.
So they started. On for miles through interminable streets of houses
that bordered the circular shore, through crowds of sheep, droves of
cattle, dense masses of human beings, through which innumerable
caleches darted like meteors amid the stars of heaven. Here came the
oxen of Southern Italy, stately, solemn, long-horned, cream-colored;
there marched great droves of Sorrento hogs--the hog of hogs--a
strange but not ill-favored animal, thick in hide, leaden in color,
hairless as a hippopotamus. The flesh of the Sorrento hog bears the
same relation to common pork that "Lubin's Extrait" bears to the
coarse scent of a country grocery. A pork-chop from the Sorrento
animal comes to the palate with the force of a new revelation; it is
the highest possibility of pork--the apotheosis of the pig! Long lines
of macaroni-cooks doing an enormous business; armies of dealers in
anisette; crowds of water-carriers; throngs of fishermen, carrying
nets and singing merry songs--"Ecco mi!" "Ecco la!"--possible
Massaniellos every man of them, I assure you, Sir. And--enveloping
all, mingling with all, jostling all, busy with the busiest, idle
with the idlest, noisy with the noisest, jolly with the jolliest,
the fat, oily, swarthy, rosy--(etc., for further epithets see
preceding pages)--_Lazaroni_!
Every moment produces new effects in the ever-shifting scenes of
Naples. Here is the reverse of monotony; if any thing becomes
wearisome, it is the variety. Here is the monotony of incessant
change. The whole city, with all its vast suburbs, lives on the
streets.
The Senator wiped his fevered brow. He thought that for crowds,
noise, tumult, dash, hurry-skurry, gayety, life, laughter, joyance,
and all that incites to mirth, and all that stirs the soul, even New
York couldn't hold a candle to Naples.
Rabelais ought to have been a Neapolitan.