“Did you go to Ghent, after all, Count?” Eve put in. The Comte d’Avrec looked from one to another, and then, instead of replying, he sipped at his glass. “No,” he said, “I didn’t go. The rather curious fact is that I happened to meet Madame Lawrence, who offered to show me her collection of lace. I have been an amateur of lace for some years, and really Madame Lawrence’s collection is amazing. You have seen it? No? You should do so. I’m afraid I have spent most of the day there.” When the Count had gone to join Kitty in the drawing-room, Eve Fincastle looked victoriously at Cecil, as if to demand of him: “Will you apologise?” “My dear journalist,” Cecil remarked simply, “you gave the show away.” That evening the continued obstinacy of the bracelet, which still refused to be caught, began at last to disturb the birdlike mind of Kitty Sartorius. Moreover, the secret was out, and the whole town of Bruges was discussing the episode and the chances of success. “Let us consult Planchette,” said the Count. The proposal was received with enthusiasm by Kitty. Eve had disappeared. Planchette was produced; and when asked if the bracelet would be recovered, it wrote, under the hands of Kitty and the Count, a trembling “Yes.” When asked: “By whom?” it wrote a word which faintly resembled “Avrec.” The Count stated that he should personally commence dragging operations at sunrise. “You will see,” he said, “I shall succeed.” “Let me try this toy, may I?” Cecil asked blandly, and, upon Kitty agreeing, he addressed Planchette in a clear voice: “Now, Planchette, who will restore the bracelet to its owner?” And Planchette wrote “Thorold,” but in characters as firm and regular as those of a copy-book. “Mr. Thorold is laughing at us,” observed the Count, imperturbably bland. “How horrid you are, Mr. Thorold!” Kitty exclaimed. IV. Of the four persons more or less interested in the affair, three were secretly active that night, in and out of the hotel. Only Kitty Sartorius, chief mourner for the bracelet, slept placidly in her bed. It was towards three o’clock in the morning that a sort of preliminary crisis was reached. From the multiplicity of doors which ventilate its rooms, one would imagine that the average foreign hotel must have been designed immediately after its architect had been to see a Palais Royal farce, in which every room opens into every other room in every act. The Hôtel de la Grande Place was not peculiar in this respect; it abounded in doors. All the chambers on the second storey, over the public rooms, fronting the Place, communicated one with the next, but naturally most of the communicating doors were locked. Cecil Thorold and the Comte d’Avrec had each a bedroom and a sitting-room on that floor. The Count’s sitting-room adjoined Cecil’s; and the door between was locked, and the key in the possession of the landlord.